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  • Democratic Socialists won big in NY. Do they offer a way forward for Democrats?

    Transcript:

    SCOTT DETROW, HOST:

    It’s CONSIDER THIS, where every day we go deep on one big news story. Today, a banner New York primary for left-wing candidates and what that means for the Democratic Party.

    (SOUNDBITE OF MONTAGE)

    UNIDENTIFIED REPORTER #1: Where all three of the congressional candidates endorsed by New York City Mayor Zohran Mamdani advanced to the midterms.

    UNIDENTIFIED REPORTER #2: Claire Valdez, she was declared the winner in Brooklyn.

    UNIDENTIFIED REPORTER #3: Darializa Avila Chevalier, a community organizer, she toppled incumbent Adriano Espaillat.

    UNIDENTIFIED REPORTER #4: Former New York City comptroller Brad Lander, he had a big win over incumbent Congressman Dan Goldman.

    DETROW: Tuesday’s electoral victories were a major win for New York City Mayor Zohran Mamdani, who put his political reputation on the line by endorsing the slate.

    ZOHRAN MAMDANI: It’s a statement that the status quo will no longer be sufficient.

    DETROW: But about a year ago, some in the Democratic Party establishment considered him a pariah. Here’s Congressman Josh Gottheimer, a Democrat from New Jersey, speaking on CNBC last year.

    (SOUNDBITE OF ARCHIVED RECORDING)

    JOSH GOTTHEIMER: We don’t need a job-killing socialist.

    DETROW: CONSIDER THIS – since 2024, the Democratic Party has been struggling to define itself. So do centrist Democrats have something to learn from Mayor Mamdani? From NPR, I’m Scott Detrow.

    (SOUNDBITE OF MUSIC)

    DETROW: It’s CONSIDER THIS FROM NPR. The congressional candidates backed by New York City Mayor Zohran Mamdani won big in New York City last night. The trio of wins, two by democratic socialists, amounts to another major shift left for the Democratic Party. And the fact that Mamdani helped oust two incumbents from his own party has led to a lot of questions about the path forward for Democrats. I spoke with the New York mayor earlier and began by asking him what the three candidates he supported had in common.

    MAMDANI: At the core of each of their candidacies is a belief that working people have to return back to the heart of our politics. You could see it’s a concern for the fact that in many of these races, we see special interests looking to buy the outcomes of them. We see a federal government that is embarking on immigration policy that is cruel and does nothing to serve in the interests of public safety. And we see an exhaustion with a foreign policy that would rather invest in bombs than in babies back home in our own districts. And in each of these candidacies, we also see a hunger from working New Yorkers for exactly that kind of politics.

    DETROW: What is this a collective statement against? Because these three wins, two incumbents being ousted, is a pretty big anti-establishment statement.

    MAMDANI: It’s a statement that the status quo will no longer be sufficient. It’s a statement that working people are not willing to accept a politics that neglects their everyday needs. And I said in the lead-up to yesterday evening, as I endorsed three candidates for Congress, five candidates for the state legislature – all of whom prevailed yesterday evening – that for those who are wondering when the race for 2028 begins, it was yesterday. Because what this slate shows, what New Yorkers have shown, it is a glimpse into the future that we have to bring forth to ensure that we’re not just fighting back against a federal administration and its cruelty, but we’re also fighting for a vision of working people.

    DETROW: I want to get back to that idea in a moment. But first I want to ask about some of the decisions you made yourself. As you are well aware, taking on incumbents in your own party is a pretty surprising move for most people in politics. There’s been a lot of grumbling from officeholders across the state today. Why, to you, was that risk worth it?

    MAMDANI: Anytime there is the chance to deliver for working people, I think it is a risk worth taking. And what I saw in the candidacies of Darializa Avila Chevalier, who last night prevailed and became the first Afro-Latina Dominican woman to now represent that district – what I saw in the candidacies of Claire Valdez, who will be the first Mexican American and Indigenous woman to represent that district, and what I saw in the candidacy of Brad Lander, the former comptroller who will now be the next Congress member representing New York 10, are candidacies that would fulfill our vision of delivering on an affordability agenda that is just as relevant as it was a year ago when I became the Democratic nominee for mayor in this city, because we continue to live in the most expensive city in the United States of America.

    DETROW: I did see a lot of quotes from council members, from legislators in Albany amounting to, I don’t know if I can trust the mayor at this point. Do you have any worry that this could alienate the coalitions you need to get stuff done?

    MAMDANI: I think this shows the fact that the vision that we have, the agenda that we have is one that is in line with what New Yorkers want to see. We saw New Yorkers come out and vote for change. We saw them come out and vote for a new kind of politics. And I’m excited to deliver on exactly that kind of politics now with more partners in office, whether at the federal level or at the state level.

    DETROW: Israel was a major focus in several of these races. What is the best way to put what you want to see when it comes to foreign policy and aid for Israel if Democrats do win back the House next year?

    MAMDANI: I think Darializa says it best. It’s time to invest in babies, not bombs. You see in each of these three candidates, now soon to be Congress members, a commitment to cosponsor the Block the Bombs legislation. And what that reflects is an exhaustion – not just a political exhaustion, but also a moral exhaustion – with our nation’s complicity in the continued killing of civilians, whether in Palestine or Lebanon or beyond. And all of this happening in a period that we have been told to describe as a ceasefire. And it is time tens of billions of dollars that are killing innocent civilians are instead spent investing back into what are some of the poorest congressional districts in America, to deliver for working people who help to make this city what it is and yet are constantly thinking about if they can afford to live in this city.

    DETROW: This is the latest in a series of primary wins this spring and summer for democratic socialist candidates. There’s been wins in Los Angeles, Philadelphia, here in Washington, D.C.’s, mayor race, now in New York congressional races. Why, to you, does the DSA message seem to be resonating so well right now?

    MAMDANI: It speaks to the fact that working people are fed up. And when we look at this country, we know that the only majority that really exists is that of the working class. And for too long, that hasn’t been reflected in our politics. For too long, our politics has felt as if irrelevant to the struggles of a working person trying to pay their rent or afford going to the grocery store or thinking about having a kid. And what each of these candidates have shown is a willingness to speak directly to those struggles, and not just name them, but also put forward a vision that would actually address those struggles and make it easier to live in this city.

    And, you know, many of us, when we look back at the history of the Democratic Party, this idea of fighting for working people, it’s not alien to what our party is about. In fact, it’s at the heart of some of the greatest successes we’ve ever had. We think about FDR. We think about the New Deal policies that he gave rise to, and so much of that is exactly what working people are calling out for today. These are the kinds of congress people and partners that will help to fulfill that.

    DETROW: There are a lot of people in the Democratic Party who think the opposite, who think a big reason the party lost in the last election cycle was it drifted too far to the left.

    MAMDANI: Well, I think what we see is that Democratic voters, which is where the Democratic Party draws its power from, feel very differently. And what is a party if not its voters? And what we see is that those voters have chosen leaders who are willing to fight for the working person. And no matter how you want to describe that, it is a fight that for far too long has been missing from the forefront of our politics.

    DETROW: A question adjacent to that is, you are well aware how successful Republicans are at trying to link Democrats in more moderate swing districts to left-wing candidates, to DSA candidates. Any worry at any level, or what do you think the best path forward is, that as the more prominent the DSA becomes, it makes it harder for Democrats to win a majority this fall?

    MAMDANI: I invite Republicans to try and smear the cause of universal child care. I invite Republicans to try and go after the idea that we should not spend billions of dollars bombing civilians abroad and instead investing those back in our districts. I invite Republicans to have to defend the indefensible, because that’s what they’ve been doing for far too long. And we’ve been told every time we take a step forward for working people that this will now become the new face of the Democratic Party. I think it’s time that it does because for far too long, we haven’t been able to answer what we’re fighting for, only who we’re fighting. And now we have the answer.

    DETROW: Have you had a chance yet today to talk to Senate Minority Leader Chuck Schumer, House Minority Leader Hakeem Jeffries, both New Yorkers, about all of this?

    MAMDANI: I’ll be speaking with Congressman Jeffries later this evening. And I look forward to that conversation because at the end of it, we’re all trying to deliver for our city, for our state, for our country. And I’m excited at the fact that there’s so much more to be done.

    DETROW: Last question, Mr. Mayor. Were you happier when these three candidates got their races called for them or when the Knicks won?

    MAMDANI: You know, last night was an incredible night. It is hard to pale, however, when we compare it to 53 years of wait. So got to go with the Knicks. Got to go with the real king of New York, Jalen Brunson.

    DETROW: New York City Mayor Zohran Mamdani, thank you so much for talking to us.

    MAMDANI: Very welcome. Thank you.

    (SOUNDBITE OF MUSIC)

    DETROW: This episode was produced by Michelle Aslam and Tyler Bartlam. It was edited by Patrick Jarenwattananon and Tinbete Ermyas. Our interim executive producer is Courtney Dorning. It’s CONSIDER THIS FROM NPR. I’m Scott Detrow.

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  • Understanding ‘masculinism,’ a movement to restore the primacy of men

    Transcript:

    TERRY GROSS, HOST:

    This is FRESH AIR. I’m Terry Gross. Repeal the 19th Amendment, which gave women the right to vote, and then let the man of the house vote for the household. If you think that anyone who advocates for that is too fringe to be taken seriously, think again. It’s the view of Christian nationalist Douglas Wilson, the pastor who co-founded CREC, the Communion of Reformed Evangelical Churches. CREC has a network of about 170 churches, including the one Secretary of Defense – or Secretary of War – Pete Hegseth belongs to. Wilson was the guest pastor in February at the Pentagon’s recently created monthly Christian prayer service. Hegseth prayed beside him. CREC also has a network of Christian schools, and Hegseth’s children attended one of them. Wilson is influential in the growing movement that’s sometimes called masculinism, which believes feminism has been emasculating men, men should have more power than women and that a woman’s place is at home raising children and following her husband’s wishes.

    My guest, Helen Lewis, writes about masculinism in her Atlantic article titled “The Men Who Want Women To Be Quiet.” It’s subtitled “A Virulent Form Of Misogyny Has Become The Single Most Important Force Holding Together The American Right.” Wilson is one of the people she interviewed for the article. Lewis is a staff writer at The Atlantic with a focus on the intersection of politics, society and digital culture. She is also the author of “Difficult Women: A History Of Feminism In 11 Fights,” and “The Genius Myth: A Curious History Of A Dangerous Idea.”

    Helen Lewis, welcome to FRESH AIR. So before we get to Pete Hegseth and Douglas Wilson, what is masculinism, and how does it compare to regular old misogyny, patriarchy?

    HELEN LEWIS: Well, masculinism is a word that has been around for quite a long time now. It’s the idea, essentially, that men should be in charge. That that’s the way that the world should be ordered, that you get now new versions of it that are about talking about biology, you know, men’s hormones mean that they’re more suited for government. But it’s not exactly patriarchy in the sense that it is a political ideology, and it’s one that its adherents will kind of argue for. And I didn’t want to just say sexism or misogyny because I think that is a kind of conversation ender. You know, we can all agree that’s bad. Well, I say we can all agree that’s bad, obviously quite a lot of people don’t agree that’s bad. But I wanted to give this its due as being a fleshed-out set of ideas that sit behind the manosphere influencers that people might have heard of – your Andrew Tates or your Myron Gaines of “Fresh And Fit” and has got a kind of intellectual underpinning, both to them and to the MAGA movement.

    GROSS: When you say it’s a political ideology, what do you mean?

    LEWIS: In the sense that there is a set of governing ideas and then a series of kind of policy proposals that flow from them. In the same way that you might see this is the kind of flip side of feminism. So the idea behind feminism was that men and women should be politically and financially equal, and you should enact policies in order to make that happen. You should give women the vote. You should make them entitled to equal pay for equal work. You should stop discrimination that keeps women out of being judges, say, or serving in the military, whatever it might be. This is the other side of that. It says men and women aren’t equal. They’re suited for different things. Men are much better suited to being politicians, to being CEOs, to serving in combat roles. And women’s role is to be nurturers, supporters, mothers.

    GROSS: So what’s on the political agenda?

    LEWIS: You mentioned there at the start repealing the 19th Amendment. That’s the one that gave women the right to vote. And that sounds, I’m sure to some of your listeners, like the craziest, completely settled argument. However, it is one that quite serious figures advance. And they do it for two reasons. One is because they genuinely believe it. This is how they feel that society should be structured, you know, more like, in some cases, a kind of Saudi Arabian system of guardianship, you know, the idea that men are the head of the family and they should vote as a household.

    GROSS: You know what? I’m going to stop you right there. Why don’t we hear Douglas Wilson say it in his own words?

    LEWIS: Sure.

    GROSS: ‘Cause this is him talking about why we should repeal the 19th Amendment.

    (SOUNDBITE OF ARCHIVED RECORDING)

    DOUGLAS WILSON: Back in the bad old days before the 19th Amendment, the men were considered to be the heads of their households and represented their families at the ballot box. So what happened when their wives were granted suffrage? Well, just take a typical presidential election to illustrate it, using the first one in 1920 after women’s suffrage was accomplished, the election between Warren Harding and James Cox. If both the husband and wife vote for Harding, say, then what you have done is simply multiply the number of total votes cast for him by two. And if the husband votes for Harding, say, and the wife votes for Cox, then what you have done is cancel out the voice of that particular household. Upon discovering how they were each going to vote, what would be the harm if the two of them just stayed home for a quiet dinner together in order to cancel out one another’s vote that way? Where was the great progress supposed to be located? The net effect of women’s suffrage was not an advance in women’s rights but rather part of a push to replace covenanted entities, like families, with raw individualism. An overweening state greatly prefers governing an atomistic populace, where each individual is like a bb thrown into an electoral sack. There’s no structural rigidity to it, especially after laxity in the law concerning porn, pot and poker has now greased all the bbs. Nothing coheres anymore. In the older system, the people were grouped in molecules, Burke’s little platoons, some of them quite complex, and molecular societies are much more capable of resisting the demands of statism. So the suffrage movement was actually not taking up the cause of women, but rather was part of a long, sustained war on the family. The nadir of this kind of thinking says that a decision to abort a child is a decision between a woman and her doctor. The father of the child is stripped of any legal ability to protect the life of his own legitimate child. We need to retrace all of our steps in order to discover how a travesty like that could ever happen. And when we do, we discover that a lot of it started at Seneca Falls.

    GROSS: Can I just ask you, Is it just me, or can you actually follow his train of thought?

    LEWIS: (Laughter) How do I put this, he is quite a prolix speaker. His sentences roll on. But you can see there the outlines of the argument, which is essentially that the family is the unit of society, not the individual. And that is a big challenge to liberalism, which has been focused on individual rights. And he thinks that women getting the vote has, for example, encouraged them to see their own bodies as sacrosanct, right? He thinks it’s led to the idea of abortion being about bodily autonomy rather than that being something that the fathers of those children have a stake in, too. So you can see how it’s a coherent ideology. The thing I would say to him is, you know, he says, well, it’s fine because actually, you know, the husbands voted on behalf of their wives. That’s what landowners used to say, that they used to vote on behalf of their serfs. And – you know what? – that didn’t work out particularly well for their serfs. It’s one of the things that, you know, the American Revolution was about, the idea, you know, not fulfilled, obviously, in the original Constitution, but the idea that all men are created equal. Doug Wilson doesn’t actually think that all men are created equal. He thinks that actually the family is the fundamental unit, and we should look at people in those blocks rather than as individual atoms.

    GROSS: But there’s all these little questions, like, say you have two adult children living with their parents, one is male, one is female. Does the male not get to vote, even though he’s a man, because the father is the head of the household?

    LEWIS: I mean, I did try and ask Joel Webbon, who’s a hard-right pastor, who is based in Austin, you know, how you would work through this. So in his view, unmarried women would also get voted for by a father, a brother, an uncle. And I said to him, having been to Riyadh reporting last year, what you’ve said there is you say this for Christian reasons, you’ve described the Saudi Arabian guardianship system. So there is – there are different versions of it. Some of them – I think Doug Wilson’s version is that unmarried women would be able to vote on their own. Other pastors would like, essentially, all women’s votes to be assigned to the nearest responsible male. And, you know, you can talk about – and they do – how this would kind of encourage people to kind of bond together. And isn’t it terrible that the votes of the husband and wife cancel each other out? Not really, not to me. That means that everybody’s had their say. And if the answer is a draw, then the answer is a draw.

    GROSS: So getting back to how masculinism has become a political ideology, what else is on the agenda? And I should point out here that Douglas Wilson says that although he’d like to repeal the 19th Amendment, like, maybe in 200 years ’cause he has bigger fish to fry. So what are the bigger fish that he has to fry that are also on the larger masculinism political agenda?

    LEWIS: Yeah, I know. When he said that to me, I said, the thing is, you know, if I said to you, I want all white men to be put in cages, but not now. It’s not my aspiration for now. Can I also interest you my thoughts about tax policy? No, you would be – you would want to stop and dwell on that one for a little bit. And I think that comes back to what I was saying earlier, which is the other point about the Repeal the 19th rhetoric. It is designed to be trollish and attention-catching. It is designed to be outside what political scientists call the Overton window, the kind of envelope of acceptable, debatable ideas, precisely in order to stop everybody having to kind of, you know, slow down and talk about it.

    You might think about another version of this being the way perhaps the U.S. had arguments about creationism in which the great idea was you had to teach the controversy. And what that did was place creationism, which is a biblical but scientifically unsupported idea up against the best ideas of modern science and just said, well, let’s just really weigh them up about which one we should be teaching to children as fact. And this is a kind of version of that. And I think because it’s affecting half or slightly over half of the population, it’s considered more respectable to kind of dally with extreme anti-feminist ideas than it would be to say, I think Black people shouldn’t vote, or I would take the vote away from Jewish people. I think those would, even in some of the excesses that we’ve seen in the last couple of years on the right, still be considered not enjoyably spicy ideas, but kind of flat out off-the-table in a way that Repeal the 19th is not treated like that.

    GROSS: Well, we need to take a break here. So let me reintroduce you. My guest is Helen Lewis. We’re talking about her article in The Atlantic called “The Men Who Want Women To Be Quiet.” We’ll be right back. This is FRESH AIR.

    (SOUNDBITE OF MUSIC)

    GROSS: This is FRESH AIR. Let’s get back to my interview with Helen Lewis, a staff writer at The Atlantic. We’re talking about her article about the new masculinism titled “The Men Who Want Women To Be Quiet.” It’s subtitled “A Virulent Form Of Misogyny Has Become The Single Most Important Force Holding Together The American Right.”

    So you describe masculinism as the single most important force uniting the American right, bringing together an unlikely constellation of pastors, senators, preachers, influencers, podcasters and fanboys. Why do you think it’s the most important factor uniting the American right?

    LEWIS: You know, when I was writing this, I was thinking about, what are the linking strands between MAGA and the kind of loose constellation of influences around that? And it was just in the middle of a very, very big split over Israel. You know, you have people like the podcaster Tucker Carlson taking a very different line from the White House, criticizing the White House very strongly on that. And you also had Tucker Carlson hosting the very, very right-wing podcaster Nick Fuentes on his show, which the Heritage Foundation refused to condemn. And then there was then a mass walkout from the Heritage Foundation. Lots of people upped sticks and went to Mike Pence’s new foundation.

    You know, these things are causing really big schisms. You might think, as well, of the splits over regulating AI. For example, there are very different views on that – free trade generally versus protectionism, America First isolationism versus foreign policy adventuring. You know, these are really deep splits that I think whoever succeeds Donald Trump will have to manage very carefully.

    I mean, you’ve seen – JD Vance has been given the poisoned chalice of being the face of the Iran negotiations. Any successor to Trump is going to have difficulty holding his coalition together because the only thing really they can agree on is that Trump is the alpha king. But maybe the one thing that they do all agree with is traditional gender roles are better. Men should be men, women should be women. Women have got a bit too uppity. It’s better that they should be seen and not heard, or, at least, they should succeed in kind of MAGA-approved ways. There’s a very strong aesthetic look about many of the women at the top of that movement that is very traditionally feminine, you know, iron femme, really. So I just found it was basically, apart from the persona of Donald Trump, one of the only things that I could see that really united them.

    GROSS: So let’s get back to Douglas Wilson. As biblical as Douglas Wilson is, he’s called women small-breasted biddies, which doesn’t strike me as godly language. So the clip we’re about to hear is Douglas Wilson speaking in the U.K. on a Times radio show in May of this year.

    (SOUNDBITE OF ARCHIVED RECORDING)

    WILSON: I called certain women small-breasted biddies. I was talking about the small-breasted biddies. So it is not the case that I think that all women are like that, or – and it’s not the case that I think that all feminists are like that…

    UNIDENTIFIED INTERVIEWER: OK.

    WILSON: …Or that all progressive women are like that.

    UNIDENTIFIED INTERVIEWER: Right.

    WILSON: So let me finish the point. This is a really important point. There is a certain kind of woke scold that wants to reach into the shower and adjust the temperature of your shower for you. They want to run your life in every detail, and they want to scold you for not cooperating. And there is that kind of – I was drawing a caricature of that kind of person.

    UNIDENTIFIED INTERVIEWER: Right.

    WILSON: The woke scold.

    GROSS: So that was from a Times radio show in the U.K. recorded in May of this year. What do you hear when you listen to that? And what do small breasts have to do with anything?

    LEWIS: Well, a great question. But I think it’s about the fact you’re not conventionally feminine, right? That’s the idea. And – but this is entirely woven into the critique of feminists as unfeminine and unnatural, you know? And, you know, I wrote about the suffragettes. This was all the stuff that was being thrown at them. Like, no one wants to have sex with you. No man would ever want you. You’re ugly. You wear clumpy shoes. You’re probably lesbian. Like, all of these things are insults that are deployed to keep women in line by saying there is a correct way to be a woman.

    The thing that struck me when I listened to that is, it’s really interesting to me that both the political left and political right have a problem with female authority. So his version is the woke scold who tells you to turn down the temperature of your shower. Now, some people may have put their shower on too high, and the shower may be burning them, in which case, your mum, whoever it is, is entirely right to adjust the water temperature. But that’s a vision, essentially, of women are telling me what to do, and I don’t like it.

    The left had a version of that, you may remember from the 2020s, the Karen. And the Karen was somebody who also essentially wanted to tell you what to do. They were nitpickers who told you to wear a mask or told you not to wear a mask or, you know, said you can’t walk there or you can’t do this, or whatever it was. And both of them are expressing this incredibly persistent and deep belief that it is kind of emasculating and wrong for women to exercise authority. And I think the reason that some of this stuff is so successful is that it is extremely widely held a millimeter under the surface, both by people who – whose persona is overt sexism, maybe for clicks, but also for people who, you know, know that in their workplace, they can’t use this kind of language. But, it – you know, it’s there in the back of their brain, and they’d really like to when their female boss has something that annoys them.

    GROSS: Do you think Wilson ever – well, you wouldn’t know. You can’t read his mind. But I wonder if Wilson ever realizes that calling certain women small-breasted biddies is so nonbiblical, and it’s so adolescent. It’s so unbecoming of somebody who considers himself a very important religious leader.

    LEWIS: But I think American public life has just degraded on this front in the last decade, really – let’s be honest – driven by Donald Trump. And his final triumph might be making Democrats talk like this, too. You know, everything has just become a kind of pig wrestling in the mud, hasn’t it? We’ve lost the idea of kind of dignity in public office and public life, and it’s now really about who can own the other person harder.

    I think the other thing, if you want to talk about something else that unites the MAGA movement – they’re owning the libs. There is a great desire for revenge on people, you know, who are sort of deemed to have lorded it over you and scold you. And so I don’t think that Doug Wilson’s salty language really causes him any problems because, as he’s outlining there, he’s very careful that he directs it against his political enemies.

    GROSS: The fertility rate is a big thing with the masculinists. The fertility rate has been falling in the U.S. and in many countries. And there’s many explanations for that, but the explanation among many masculinists is, like, blame women. They don’t want to have children anymore, or they don’t want to have as many children. Or they’re going to work and they’re not staying home, and therefore they’re not having children. And I feel like, oh, women can’t win ’cause if women want children, then a lot of men complain, oh, women. All they want to do is have children. I don’t want to have children, or I don’t want to have that many children. I don’t want to be tied down like that.

    So, like, the pendulum with this movement is swinging toward, like, fertility. Stay home. Have lots of children. What do you see that as being about? Is that connected at all to the fear that white people will no longer be the majority population in a few decades?

    LEWIS: Oh, I mean, absolutely. I mean, somebody like, you know, Elon Musk has taken up, you know, a very true and upsetting story about grooming gangs in Britain. But the thesis behind it has been expanded into this all-purpose bogeyman of essentially, you know, Islam is coming to take over Europe. And those families from – that have very recently come from poorer countries have more children.

    And you – you know, you will absolutely hear that said all over the manosphere, that the problem is essentially feminism has stopped white women from having enough kids. And that will lead to the kind of the end of the white race or European-descent civilization or Judeo-Christian religion or whatever you want to put it in that way.

    The trouble with it is, you know, I think that this ideology is incredibly flexible because, as you say, when it was the 1950s, the idea was that, you know, women can’t vote because they don’t have enough responsibilities outside the home. They’ve silly little brains that, you know, they don’t – they just earn a bit of pin money and whatever it is. You know, they’re not full actors in civil society, so why would we want to hear from them? And now that the majority of American women go out and work, even after having children, it’s switched to, well, actually, the problem is that, you know, they’re ruining society by going and doing that. So whatever women are currently doing turns out to be wrong.

    It’s not an unreasonable point in the sense that birth rates are falling in pretty much every country, and it does track with women getting increasing amounts of education. We also do know that lots of women are saying they are not having as many children as they would like to, which is something that you could potentially address through policies, although no one has really cracked that yet. Places like Hungary have tried explicitly natalist policies – you know, things like reduced income tax or whatever it might be.

    But the other thing we know is that the birth rate is falling in some – in America or the U.K., we would consider still incredibly patriarchal societies like, for example, South Korea or Japan, where, you know, it is still expected that women will give up work after having children. One of the things that really just seems to be driving it is, well, in America, there’s a possibility that smartphones – I mean, the smartphone theory of everything, but the possibility that people aren’t meeting each other in the offline way that they would. They aren’t pairing up, and downstream of that, of – is fewer kids. But also, it might just be the fact that parental investment of time in children is so much greater.

    GROSS: And money.

    LEWIS: You know…

    GROSS: It’s so expensive to have children now.

    LEWIS: Right. But that’s the thing. The average American dad is now spending as much time with their child as the average American mum was in the 1960s. You know, this is the most involved generation of fathers ever. And that makes me think, well, that is quite coincidental, that people want fewer children. Men want fewer children when it’s more hard unpaid work for them. And that doesn’t seem to be – me to be maybe something we should exclude from this discussion either. Having kids is really hard work.

    GROSS: Well, it’s time for another break, so let me reintroduce you. If you’re just joining us, my guest is Helen Lewis, and we’re talking about her article in The Atlantic titled “The Men Who Want Women To Be Quiet.” We’ll be right back after a short break. I’m Terry Gross, and this is FRESH AIR.

    (SOUNDBITE OF MUSIC)

    GROSS: This is FRESH AIR. I’m Terry Gross. Let’s get back to my interview with Helen Lewis, a staff writer at The Atlantic. We’re talking about her article about the new masculinism titled “The Men Who Want Women To Be Quiet.” It’s subtitled “A Virulent Form Of Misogyny Has Become The Single Most Important Force Holding Together The American Right.” Lewis is also the author of the books “Difficult Women: A History Of Feminism In 11 Fights” and “The Genius Myth: A Curious History Of A Dangerous Idea.”

    You describe Nick Fuentes as Douglas Wilson’s intellectual heir. Now, Fuentes is one of the more extreme podcast provocateurs. You describe Fuentes as a self-professed Christian, antisemite and virgin. Why do you mention virgin in there?

    LEWIS: Because it’s really interesting to me that he is not Doug Wilson’s intellectual heir in the sense of a traditional Christian family. Like, he – what he’s not preaching to his followers is settle down, find a nice woman, have some children, be the patriarch and head of your household, right? Everything that he says reeks of the fact that he hates women. He doesn’t want to be around them. He never hangs out with them. He has nothing to do with them.

    There’s a theorist called Eve Kosofsky Sedgwick who wrote a book about homosociality – you know, men who only associate with other men, who see themselves in other – relationship to other men. And that’s Nick Fuentes. His is a world of actually no women at all. They don’t really matter to him, you know, which you might say is also true of somebody like Andrew Tate, who is, you know, a pimp by his own admission. The women are there just kind of as a way of keeping score to impress other men with how amazingly virile you are. And Nick Fuentes is a more extreme version of that, where he’s like, well, I – look, I – you know, I don’t even want to sleep with them.

    GROSS: So let’s hear Nick Fuentes from one of his podcasts. And in this, he’s talking about the problem with women. And this is from his podcast “America First With Nick Fuentes,” and it was recorded on February 11 of this year.

    (SOUNDBITE OF ARCHIVED RECORDING)

    NICK FUENTES: Our No. 1 political enemy is women because women constrain everything – every conversation, every man, everything. They have to be imprisoned. They are the ones that are hurting the fertility rate. They’re the ones making us sympathetic to poor people, which are also brown people. You know, when you – when – I want you to understand something. When you’re sympathetic to poor people, you’re sympathetic to brown people because brown people are poor. OK? Not all poor people are brown, but most brown people are poor.

    So women are making us sympathetic to poor people, aka brown people. Women are making us sympathetic to George Floyd. Women are the reason that the fertility rate is low because they’re getting educated, and they attack every man as a rapist and a pedophile. And they’re henpecking and controlling all the men. So just like Hitler imprisoned gypsies, Jews, communists, you know, all of his political rivals, we have to do the same thing with women.

    GROSS: Well…

    LEWIS: It’s not subtle, is it? It’s – he doesn’t – he’s not a man who’s ever heard the word dog whistle. It just – gone straight to the whistle. The thing I find interesting about that is it doesn’t surprise me that he’s an – also an antisemite because in both cases, the analysis of what’s wrong with the out-group is the same, right? So both Jews and women are simultaneously weak and useless, but also an evil cabal that is controlling the world. And I just find that really, really fascinating – that that is, you know, two historical groups that he’s managed to weave together into this seamless mythology.

    And the other thing you see there is he’s also talking about empathy, which is the masculinists’ most hated emotion because, you know, Doug Wilson has a podcast episode called “The Sin Of Empathy.” Gad Saad, the Canadian marketing professor who’s a big favorite of Elon Musk, had a book called “Suicidal Empathy.” You also hear about toxic empathy. And this is woven completely into their critique of the problem of women having political power, is they think that women want equality and they want to help the underdog. And that means that they, for example, support immigration, or they’re not tough enough on violent crime.

    GROSS: They’re not racist enough.

    LEWIS: Well, in the case of Nick Fuentes, yes – that they just don’t hate brown people, as he puts it. But, you know, there are respectable versions of this argument about empathy, too. So the entrepreneur Peter Thiel wrote a very famous or infamous essay for a Cato Institute publication back in the 2000s, in which he said it’s – we haven’t had a real democracy since the 1920s, a real capitalist democracy, because women, you know, and welfare recipients won’t vote for libertarian parties.

    And so to take you all the way back to Douglas Wilson, you know, the critique is the same. The problem with women voting is that they vote in a way that we wouldn’t like. And that is a problem only if you think that their political preferences aren’t equally as legitimate as yours, and actually, it’s your job to persuade them to your way of thinking. No. They’d rather go straight and say, wouldn’t it just be easier to get the political program through that we want if we only had half the electorate to convince?

    GROSS: You know, I think with somebody like Nick Fuentes, I always wonder, like, how much of it is about money and power? You know, like, it’s a great way to get followers if you live on the extreme and can influence people to join you there or admire, like, your strong views. And how much does he, like, truly believe?

    LEWIS: And that is almost a part of how I think about reporting on it, right? Because you’re thinking these people are attention-seeking, and I’m giving them some attention. And that’s not an uncomplicated thing to do as a reporter. At the same time, they are arguing for these things. Whether or not they’re sincere is – you know, that’s separate to the effect that they’re having on the discourse, which is real and genuine…

    GROSS: Yeah.

    LEWIS: …And does exist.

    GROSS: Yeah.

    LEWIS: So I also think, as a – you know, if you’re somebody who does believe in individual voting rights or liberalism, whatever it is, you kind of need to keep your…

    GROSS: Or…

    LEWIS: …You know…

    GROSS: …Imprisoning women.

    LEWIS: Right, but you are kind of somebody who does need to keep your debating weapons sharp. Those arguments are never really truly won in a way that I think, probably, you know, ’90s liberals were a bit complacent about. You do have to stand up and say incredibly controversial things like, I actually think that all adults should vote. I mean, you know, which is a very recent historical development. You know, even for a long time, very few people in England where I live, you know – the – only a few nobles were in charge of the government, even when we had a quote-unquotes democracy. And it took successive huge political movements to change that. So these – you know, these ideas of individual rights don’t – they – they’re not natural, or they’re not, you know, settled forever. And that, for me, is the point of writing about this stuff.

    GROSS: So again, you called Fuentes Douglas Wilson’s intellectual heir, but Wilson doesn’t like Fuentes’ rhetoric about women. He says, the Bible says that a godly woman is a husband’s crown. I’ve never seen a king talk about his crown the way Fuentes talks about women. Comparing women or wives to a crown, the bejeweled headpiece that announces who is king, isn’t exactly the most humanizing description of women.

    LEWIS: Right, but that is the distinction between them. You know, they both share that appetite for provocation and certain views. But, you know, Doug Wilson is presenting it as benevolent sexism. We know what’s best for you. We’ve got your best interests at heart. Nick Fuentes is malevolent sexism, which is, you’re awful and you should be put, you know, in a gulag and restrained by violence. But they both have the same fundamental underlying point, which is that men and women are not equal and men make better decisions than women.

    GROSS: Well, we need to take a break here, so let me reintroduce you. My guest is Helen Lewis. We’re talking about her article in The Atlantic called “The Men Who Want Women To Be Quiet.” We’ll be right back. This is FRESH AIR.

    (SOUNDBITE OF AMANDA GARDIER’S “FJORD”)

    GROSS: This is FRESH AIR. Let’s get back to my interview with Helen Lewis, a staff writer at The Atlantic. We’re talking about her article about the new masculinism titled “The Men Who Want Women To Keep (ph) Quiet.”

    So alongside this obsession with fertility, the masculinists also have an obsession with testosterone. Testosterone is the thing that sets apart men from women. Men have a lot of it. Women have a little of it. And it’s become, like, the defining quality for some men of, like, what real manhood is. So can you talk a little bit about testosterone?

    LEWIS: I mean, this is a story with many strands, one of which it’s now never been easier to get hold of testosterone replacement therapy. So just a huge number of people, you know, particularly in that “Manosphere Podcast” zone, are on it. You know, they’re middle-aged men who are feeling a little bit more tired. You know, things are a little bit more hard than they used to be. And they get a prescription for testosterone in the same way that women have been getting HRT prescriptions. And guess what? They feel, you know, peppy and alive again. And, you know, that is not an unreasonable medical presentation, but there does seem to also be just a kind of lifestyle feeling that this is what men are. They are aggressive, and they’re go-getting, and they’re driven. And testosterone is kind of the hormonal version of that.

    So one of the books that I talk about in the piece is “The Last Man (ph)” by Charles Cornish-Dale, who goes by the online alias Raw Egg Nationalist. And the reason that he believes that you should take raw eggs is that they boost your testosterone. And, you know, his whole theory is that the MAGA movement is a testosterone movement. Donald Trump is the high-T president because he, for example, doesn’t care about equality. You know, he’s about ambition and ruthlessness because the winners need to win and be dominant. And so, you know, they want to bring back, as they say, testosterone to politics. It’s all got a bit hippie drum circle, people trying to care about the weak and the poor and trying to make sure that everybody’s happy. No, that’s not the way things should be. Politics is about power and drive, and those things are symbolized by testosterone.

    GROSS: And testosterone was actually figuring into the Senate race in Texas, because James Talarico, who is the Democrat running for Senate against Republican Ken Paxton, is being called by some of his opponents Low-T Talarico. And low T stands for low testosterone. There’s a lot of, like, low T commercials on cable news now, advertising testosterone replacement. So…

    LEWIS: Right. Stephen Miller, the White House immigration czar, went on Fox News and said, He’s Low-T Talarico. You know, he’s the first transgender candidate for Senate. You know, if you cut him, he doesn’t bleed, he just drips soy. And that’s a very deep cut, but there is essentially the feeling that plant phytoestrogens in soy are also feminizing men. It’s one of the many things in modern life that is feminizing men. So this is a…

    GROSS: That’s why they’re against soy?

    LEWIS: Yes. There’s a whole background, too, like, real men eat meat and are not vegans. So one of the things that was held against him was the fact that he said he wanted to have a kind of animal product-free campaign. His girlfriend appears to be a vegan. So he’s obviously going to have to spend the summer being photographed eating kind of huge bits of brisket and turkey legs and, you know, slaw running down his chin as he goes to barbecues because, you know, this is the knock on him. Because he is quite softly spoken and looks very boyish despite being in his 30s and because he has supported gender transition, you know, the knock on him is that he’s not really a man. He doesn’t understand what it means to be a man.

    This has got two things. One thing, it attacks him in an electorate, where there are lots of people, particularly Hispanic men, who do have a pretty traditional view of gender. But the second thing is it is a way of excusing Ken Paxton, who is – you know, has faced his own fair share of allegations of corruption, who’s currently in the middle of divorced on, quote-unquote, “biblical grounds,” understood to be adultery.

    GROSS: She’s divorcing him.

    LEWIS: She’s divorcing him, but that is understood to be – that’s man stuff. That’s the kind of thing that men do when they’re powerful. You know, these are alpha. You know, he – guess he’s got some foibls but his foibls are alpha foibles. And that has become a really, you know, big part of the discourse in Texas is, you know, driving up the male vote by calling James Talarico unmanly. And the key thing is that that is also seen as being weak. And this has just infected all of politics, even places you wouldn’t realize.

    So at the beginning of the year, I published a profile of Gavin Newsom, the California governor who is widely expected to run for president. And he told me at the start that he had taken this line from Bill Clinton, which is the American voter prefers strong and wrong over weak and right. Essentially, this idea that you have to just bulldoze through, you have to be confident and aggressive about things. Now, if you see, you know, his team’s strategy on social media, which has just been very, very rude about a lot of people, you know, that’s what he’s gone from. It’s not dignified or maybe morally defensible, but it looks like power and aggression. And there are voters, clearly, who want that, and they don’t associate the Democrats with that.

    GROSS: So, you know, with Ken Paxton, in terms of being an alpha male and that these are, like, alpha male accusations, CNN did a timeline of 20 years of scandals for Ken Paxton. And those scandals include securities fraud charges, an FBI investigation of bribery and abuse of office. He was sued for firing whistleblowers. The state of Texas sued him for professional misconduct. The state House voted to impeach him in 2023. He was acquitted in the Senate. His wife filing for divorce on biblical grounds after years of publicly reported infidelity by her husband. So are those the things that are considered, like, the alpha male conduct?

    LEWIS: Yeah. I think that’s the thing. It’s like, that is boys will be boys. I don’t think we’ve ever stretched it to boys will embezzle before, but, you know, that’s where we’ve got to. The fact that James Talarico is kind of squeaky clean, you know, that’s – they haven’t been able to land a real kind of, like, blow on him in terms of probity, is now recast as being a bit weak, a bit vanilla, a bit soy, essentially. And, you know, you might trace that all the way back to Donald Trump and the “Access Hollywood” tape and the defense of that as locker-room talk. You know, this is just how guys talk, and you’ve got to – you know, you’ve just got to accept that, basically.

    GROSS: So where do you see President Trump fitting into masculinism and how masculinists see Trump?

    LEWIS: Well, they see him as, like, the ultimate bully and the ultimate patriarch, you know? Here is somebody who controls everything around them. And, you know, I’m – I see masculinism as quite an anxious ideology in a way because it’s about control. You know, it’s about needing to kind of keep a grip on your emotions. You never cry. You know, you don’t eat soup ’cause that’s gay. You don’t cross your legs because, you know, that’s – Gavin Newsom did that, and everyone mocked him on Twitter for it. You know, all these things that you kind of can’t do because they would somehow impugn your masculinity does add up to quite a kind of anxious way to live, in my view.

    But the way that it’s reframed around Trump is – you know, I always think of kind of Trump as the Eric Cartman from “South Park” of American public life. You know, he just does what he wants, and everybody else has to deal with it. And that’s the kind of ultimate patriarchal fantasy. You can do whatever you want, and everyone else has to put up with it. And actually, everyone else kind of worships you and look up to you. And, you know, you’ve got a – the woman on your arm. And you’ve got the guys who love being in the status hierarchy where they all know who the – you know, the top one is.

    You know, he is – he encapsules that dream, which I think is hard for people outside the movement – like me – to understand because I look at him. And I think, you know, there’s a guy who loves show tunes who’s slathered in 14 pounds of makeup and has been, you know, dying his hair a series of bizarre colors for 25 years or more. It doesn’t, to me, radiate kind of what I think of as sort of that American cowboy, Clint-Eastwood-in-a-poncho kind of masculinity. But there’s clearly something about it that codes to those people as very, very alpha indeed. Maybe more alpha, right? Maybe the ultimate alpha thing is you can wear bronzer, and no one’s allowed to mention it. They just have to get on with it.

    GROSS: You point out something that I hadn’t quite put together before, which is that, you know, Trump had a surprising number of women in important positions in his second term. And then he fired several of them – Tulsi Gabbard, Pam Bondi, Kristi Noem – and they were all replaced by men.

    LEWIS: Yeah. I mean, in some cases, they were replaced briefly by Marco Rubio, who is the kind of universal solvent for the Trump administration’s hardest problems. But yeah. It seems to me that it’s quite hard to be a woman in MAGA. There are extremely high demands on you. The one who has survived and thrived, I think, is Susie Wiles. You know, Trump is, you know, unexpectedly, the person who brought the first female chief of staff into the White House, and she’s made it all the way so far. There hasn’t been that revolving door that there was in his first term.

    So – but I think she occupies an interesting position. The way that people talk about her is essentially as a kind of grandma figure. You know, she doesn’t challenge Trump. She doesn’t see it as her job, like some of the previous chiefs of staff with a military background, to kind of challenge him or stand up to him or give him the alternate view. She sees her role as being to carry out and enable, which I – you know, it would be probably demeaning to say that that’s the role of a really good secretary or executive PA. But it is not a – an authority role in the way that some other chiefs of staff have kind of presented themselves or carried themselves, I think, whereas the women who’ve tried to claim personal authority within MAGA have had a really difficult time.

    GROSS: And Linda McMahon has survived, too – secretary of education. And of course, she was, like, a co-founder with her husband of WWE – you know, the big wrestling franchise.

    LEWIS: I mean, she’s in a fortunate position, really, because her belief is that the Department of Education shouldn’t really exist. So when that’s your kind of guiding principle, it’s quite hard to fail, right? It’s not that you can sort of say, this department hasn’t been doing well, when you don’t think it should exist at all.

    But she – yeah. She’s a very interesting case because she, like Trump, understands the idea of kind of storylining your life. You know, he approaches his presidency like a WWE season, where you have heels and faces and reversals and slightly shocking things and that, you know, she participated in. And there were whole storylines about how Vince was, you know, cheating on her and how humiliating it was, and she was tied to a chair in the arena. So she’s someone who’s willing to endure public humiliation by, you know, overbearing men, which I imagine was a pretty good preparation for serving in the Trump administration.

    GROSS: Let me reintroduce you. We need to take another short break. My guest is Helen Lewis, and we’re talking about her article in The Atlantic titled “The Men Who Want Women To Be Quiet.” We’ll be right back. This is FRESH AIR.

    (SOUNDBITE OF BEBO VALDES TRIO’S “LAMENTO CUBANO”)

    GROSS: This is FRESH AIR. Let’s get back to my interview with Helen Lewis, a staff writer at The Atlantic. We’re talking about her article about the new masculinism titled “The Men Who Want Women To Be Quiet.” It’s subtitled “A Virulent Form Of Misogyny That’s Become The Single Most Important Force Holding Together The American Right.”

    Who are some of the people in Congress or in state or city-elected officials or influential writers or thinkers who are part of this masculinist movement?

    LEWIS: Someone I would say who was very early to this is Senator Josh Hawley, who wrote a book about manhood a couple of years ago. You know, he spotted quite early on that there were lots of men in policy circles and elite circles who felt very annoyed that we’d heard a lot of, you know, the future is female and about the various oppressions suffered by women in American life, and that maybe, you know, there would be a constituency that would like to hear a bit more about the ways in which men are oppressed or men have been disadvantaged. So that’s – you know, I think that’s really important.

    The Trump administration has been using the Equality Office essentially to say, are you a white man? You know, do you feel you’ve been discriminated at work? Do you want to come and, you know, talk about that? So it’s kind of flipping that idea of the kind of DEI bureaucracy to address a different minority group in white men.

    GROSS: So I want to mention Scott Yenor, whose name I didn’t know, but you write about him. He worked with Florida Governor Ron DeSantis in rolling back DEI programs, and he recently became the chair of the Heritage Foundation’s American Citizenship Initiative. And they published a report in January that called for a culture-wide Manhattan Project to promote family building. Can you say a little bit more about that?

    LEWIS: Yeah, I think Scott Yenor is a really influential and interesting figure. He believes in the family wage, which I guess is the kind of workplace corollary to family voting. Essentially, you should be able to preferentially hire and promote married men to encourage them to be the breadwinners and women to stay at home and be the homemakers. He also has used Douglas Wilson-style language. He talked about women being – modern women are medicated, meddlesome and quarrelsome. You know, the analysis is very similar. And you do see echoes of this language, I think, you know, JD Vance is very steeped in all this stuff. So bits of this language dribble through to him. The interesting thing about Scott Yenor is we published a piece by Henry Olsen in The Atlantic when he was appointed to The Heritage Foundation, saying, you do realize that this guy’s views are really on gender are really quite extreme. It caused the most awful stink in kind of, you know, post liberal and MAGA Twitter. Essentially, the main criticism seemed to be don’t air our dirty laundry in public, you know, don’t tell people about this guy, which I thought – that was really fascinating to me. It was an acknowledgment of the fact that, you know, in certain spaces, his views would be received as kind of titillating. But actually, for wider consumption, they were probably pretty repellent to the median voter.

    GROSS: Now, I want to make it clear. You think that there are really concerning problems facing men and boys right now. And I’d like to end with you talking about some of those.

    LEWIS: I think that’s really – should be an important part of the conversation. You know, I’ve written about feminism and the – you know, the things that affect women throughout my career, but it is very important, too, to talk about the fact. So, I think it’s really tough to be a young man right now. My colleague, Derek Thompson, once described the situation of young men as being like monks in the casino. You know, we know that they drink less, they party less, they have more – you know, they are less likely to be coupled up than previous generations of men.

    At the same time, via their smartphones, they can access any amount of porn and crypto and gambling. This is a bit where I think I do have some overlap with Doug Wilson, and I think that lots of bits of modern life are really tough for young people. They are being urged into funnels to make money for big social media corporations that are not necessarily the way that, you know, you would choose for anybody to live. And I think that, you know, the decline of traditional manufacturing has meant that the workplace has become easier for women to get a job in, in some respects, harder for men at the entry level. Then there has been, I think, in some places, overt discrimination against men and white men because lots of companies in the last 10 years have looked at their diversity statistics and kind of vomited at how bad they were and gone on what will probably turn out to be unconstitutional hiring binges to try and make those statistics look better. That’s an advance for equal rights. It’s tough on the individual men that that has affected. So I think, you know, when you are taking on some of these more outrageous ideas, you have to acknowledge that some people feel hard done by in the last decade, and that is not a completely preposterous situation to take.

    GROSS: I don’t know how much social media you do, but what kind of reaction are you getting from the manosphere on this piece that you wrote?

    LEWIS: I think a mixture. I mean, I had some quite hostile responses, as you would expect. You know, there were people saying that, you know, I make the kind of classic face that all liberal women do when they are, you know, confronted with facts that they can’t debunk, all that kind of, like, blah, blah, blah, whatever. There were loads of really thoughtful responses, too. I think some of the people just like being mentioned in the mainstream media, the kind that they could show to their own mother. You know, when you’ve got a show on Rumble, you know, your mum doesn’t really believe that you have a job. So I think there’s some – you know, there was some oddly positive responses from some people. But I also got loads and loads of really thoughtful emails. Not least, a really interesting strain from older guys who said, you know, I’m 70, and this stuff is also completely alien to me. This doesn’t speak for me, and I think I’m really worried we’ve gone backwards. And it was really interesting to hear from them because that’s not a perspective, you know, that you get to hear a lot, I think. And I don’t hear enough of that.

    GROSS: Well, Helen Lewis, thank you so much for talking with us, and thank you for your article.

    LEWIS: It was really lovely. Thank you so much for asking me.

    GROSS: Helen Lewis is a staff writer at The Atlantic, where her article, “The Men Who Want Women To Be Quiet” is published.

    Tomorrow on FRESH AIR, our guest will be Anna Deavere Smith. She’s known for writing and starring in shows about real people. She interviews them and portrays them with their actual words. Her new show is about her great-great-grandfather, a free Black man who reburied the Union dead at Gettysburg and prepared the ground for Lincoln’s most famous speech. I hope you’ll join us.

    To keep up with what’s on the show and get highlights of our interviews, follow us on Instagram – @nprfreshair.

    FRESH AIR’s executive producer is Sam Briger. Our technical director and engineer is Audrey Bentham. Our interviews and reviews are produced and edited by Phyllis Myers, Ann Marie Baldonado, Lauren Krenzel, Therese Madden, Monique Nazareth, Thea Chaloner, Susan Nyakundi, Anna Bauman and Nico Gonzalez-Wisler. Our digital media producer is Molly Seavy-Nesper. Roberta Shorrock directs the show. Our co-host is Tonya Mosley. I’m Terry Gross.

    (SOUNDBITE OF JERRY DOUGLAS’ “WE HIDE AND SEEK”)

  • Trump Vs Thune, Road To Housing Act, Democratic Socialist Win In New York Primaries

    Transcript:

    (SOUNDBITE OF MUSIC)

    A MARTÍNEZ, HOST:

    President Trump could be in for a tense lunch date with Senate Republicans on Capitol Hill today.

    MICHEL MARTIN, HOST:

    Last night, four Republican senators voted with Democrats on a resolution to end the war with Iran, but other issues like still high gas prices could also put indigestion on the menu.

    MARTÍNEZ: I’m A Martínez. That’s Michel Martin, and this is UP FIRST from NPR News.

    (SOUNDBITE OF MUSIC)

    MARTÍNEZ: Congress passed the biggest housing bill in decades with support from both parties. It bans big investors from buying up single-family homes and makes it easier to build. We’ll hear about whether it’ll actually make homes more affordable.

    MARTIN: And all the congressional candidates endorsed by Mayor Zohran Mamdani won primaries in New York last night.

    (SOUNDBITE OF ARCHIVED RECORDING)

    ZOHRAN MAMDANI: We are showing there is a new path for politics in our city and in our country.

    MARTIN: Now the Democratic Party is wrestling with how far left it should go heading into the midterms. Stay with us. We’ll give you news you need to start your day.

    (SOUNDBITE OF MUSIC)

    MARTIN: President Trump is set to have lunch on Capitol Hill today with Senate Republicans. The meal comes amid rising tensions between Trump and his congressional colleagues.

    MARTÍNEZ: Last night, four Senate Republicans voted with Democrats to advance a resolution directing Trump to pull troops out of the conflict with Iran. On the other hand, Trump has also repeatedly blown up their strategy for getting legislation passed, even while venting his frustration online with Majority Leader John Thune about not getting what he wants done.

    MARTIN: NPR congressional reporter Sam Gringlas has been keeping a close eye on this relationship, and he’s with us now. Good morning, Sam.

    SAM GRINGLAS, BYLINE: Good morning, Michel.

    MARTIN: So how is this disconnect playing out on the Hill?

    GRINGLAS: So just to give you one example of this, Majority Leader Thune thought he had a plan last week to get this key spy tool reauthorized. Democrats were threatening to block it over Trump’s pick for acting director of national intelligence. And if Thune could quickly confirm a more acceptable permanent pick, the crisis could be averted. Then just before that confirmation hearing, Trump blew up the plan in a 4 a.m. social media post. Senate Republicans were stunned. The blowback was swift. Alaska Senator Lisa Murkowski described it to me like sled dogs startled by a moose.

    (SOUNDBITE OF ARCHIVED RECORDING)

    LISA MURKOWSKI: You got half the team going over here and half the team going over here. It is chaos. And then what that musher has to do is he’s got to stop and spend all of his time untangling this mess.

    GRINGLAS: And as the musher of the Senate, Thune has had to untangle lots of these messes lately.

    MARTIN: So why can’t they get on the same page when it comes to strategy? Is it that they don’t agree on the goal, or what is it?

    GRINGLAS: So this conflict stems in large part from Trump’s push for a strict voter ID law, the SAVE America Act. He says Republicans will never win another election without it. The reality is that there are just not the votes to pass it in the Senate. Trump has called on Thune to skirt the 60-vote threshold there by eliminating the filibuster. Last week, in a post that actually mentioned Thune, he called anyone against that idea a fool. The White House said in a statement that Trump enjoys working with Thune. But, Michel, it’s Thune that often has to give Trump a reality check.

    MARTIN: So what does all this say – what do these episodes say about Thune and his relationship with Trump?

    GRINGLAS: Yeah. Republican Senator John Kennedy told me Thune is like a golden retriever. No one dislikes him. Translation there – Trump’s conflict with Thune is really just not personal. And most of the Republican caucus is still behind their leader. And for Thune, the filibuster is about preserving the consensus-driven nature of the Senate. That’s what former Republican Senator Saxby Chambliss of Georgia told me. He’s a friend of Thune’s.

    SAXBY CHAMBLISS: He feels very strongly that the institution matters, and we get the best legislation when you have input by a Republican and Democrat.

    MARTIN: So, Sam, are there tangible implications as a result of this friction between the two men?

    GRINGLAS: Some Republicans worry Trump is undercutting their shared agenda and focusing more on 2020 than 2026, pushing old claims about stolen elections and targeting incumbents he sees as disloyal. Some of those departing members now feel more uninhibited, like Louisiana Senator Bill Cassidy, who provided a crucial vote to advance that War Powers Act. I did ask Thune whether he worries Trump’s actions will hurt Republicans this fall, and he said focusing on pocketbook issues will be the path to keeping the majority. I pressed him, though, if it is hard to stay focused on those things right now, and Thune told me he is trying his best.

    MARTIN: That is NPR’s Sam Gringlas. Sam, thank you.

    GRINGLAS: You’re welcome.

    MARTIN: Congress passed the largest housing bill in decades last night with strong bipartisan support.

    MARTÍNEZ: The measure now heads to the president’s desk for a signature. So what will it actually do to help with housing affordability?

    MARTIN: Here to tell us about it is NPR personal finance reporter Stephan Bisaha. Stephan, good morning.

    STEPHAN BISAHA, BYLINE: Good morning, Michel.

    MARTIN: So home ownership is a big part of the American dream, but it’s just financially out of reach for many people right now. Why is that?

    BISAHA: Yeah. Well, there are a lot of reasons the cost of home ownership has gone up. Like, you know, mortgage rates have risen over the past several years. Wages have recently fallen behind inflation. The cost of land alone has skyrocketed about 75% since the pandemic. And then there’s the classic supply and demand problem. The U.S. is short millions of homes – by some counts, about 4 or 5 million units short of the demand. You know, that sends prices up.

    MARTIN: So what does this legislation try to do to make home ownership more attainable?

    BISAHA: Well, probably the part of the bill that’s gotten the most attention is that it’ll ban corporate investors from buying up tons of single-family homes. Politicians like Massachusetts Senator Elizabeth Warren and President Trump have all blamed private equity for gobbling up these homes by putting down cash offers, and that also drives up prices. So this legislation will make it so those big investors can’t buy more than 350 homes.

    Now, these investors, they do just make up a tiny fraction of the overall housing market. But I did speak with Senator Warren, a Democrat, who co-sponsored the bill with Republican Senator Tim Scott. And she pointed out how in some places, like Atlanta, corporations own a big slice of the market.

    ELIZABETH WARREN: If you don’t live in a neighborhood where private equity has already moved in, believe me, you’re on that list.

    MARTIN: OK. So that’s one change. But this bill has more than 40 parts to it. What else stands out to you?

    BISAHA: Yeah. One of the core ideas of this bill is to make it easier for homebuilders to build homes, and it does that by streamlining federal housing regulation. Like, for example, if there’s a new building going up between two that already got an environmental review, builders really can skip that step. Another provision creates a grant to have communities develop, like, essentially a Sears catalog of pre-approved housing designs. So builders need fewer approvals to get up to code. And when I asked researchers, there was one thing they were most excited about – this corner of the housing market that sort of has been forgotten about and stigmatized.

    MARTIN: OK. What corner is that?

    BISAHA: That is manufactured homes. They are cheaper to build than other homes, and this will make it so that it’s even cheaper by getting rid of a part that most owners don’t even need. That is this permanent chassis, this metal frame that lets you transport it. You know, mobile homes are rarely actually mobile. They usually stay in just one spot. This bill gets rid of that chassis requirement ’cause it’s not needed in many cases. That alone could save 5 or $10,000 with the price tag, so it can make a pretty big difference.

    MARTIN: OK. Yeah, I see that point. But, you know, housing problems have been a problem for a while. I mean, you’ve been reporting on this. If President Trump signs this bill, like he’s expected to do, how soon before Americans could notice some relief?

    BISAHA: Well, it’s going to take a while to feel most the effects of this bill. It’s just going to, you know, take time to encourage more new home building and just actually build the homes. The bill also encourages local governments to do some reforms because they have actually a lot of power over how fast houses get built. And there will still be other challenges like mortgage rates and land costs. But, you know, Warren said it’s been about 30 years since the federal government really took on any major housing legislation. Now she says lawmakers have finally actually moved.

    MARTIN: That is NPR personal finance reporter Stephan Bisaha. Stephan, thank you.

    BISAHA: Thank you.

    (SOUNDBITE OF MUSIC)

    MARTIN: Following New York’s primary Tuesday night, the Democratic Party is facing questions about its future and just how far left it will go after the victories of two democratic socialist candidates in congressional primaries.

    MARTÍNEZ: And less than a year after taking office, New York Mayor Zohran Mamdani swept the first major test of his political influence within the city, thanks to primary wins by candidates he backed.

    MARTIN: Reporter Steve Kastenbaum was following last night’s result, and he’s with us now for an early morning, after a late night. Thanks, Steve.

    STEVE KASTENBAUM: Oh, my pleasure. Thank you.

    MARTIN: So how did the night turn out for Mamdani and his slate of Democratic candidates?

    KASTENBAUM: Well, the mayor really flexed his muscle in this election, and it paid off in a very big way. All three candidates he backed won their primary races, and in one of the biggest upsets last night, five-term Democratic Congressman Adriano Espaillat went down in a narrow loss to democratic socialist Darializa Avila Chevalier. Mayor Mamdani spoke at her election night party after the Associated Press called the race.

    (SOUNDBITE OF ARCHIVED RECORDING)

    MAMDANI: And it is because you poured your hearts into this, because you poured your hopes into this, that we are showing there is a new path for politics in our city and in our country.

    KASTENBAUM: Espaillat chairs the Congressional Hispanic Caucus. He sits on the very powerful Appropriations Committee. This is a huge loss for the Democratic establishment.

    MARTIN: And what about these primary winners? How did they – those who are aligned with Mamdani – how did they talk about their victory?

    KASTENBAUM: Well, they were celebrating, of course. Chevalier used her victory to fire a shot at that Democratic power structure.

    (SOUNDBITE OF ARCHIVED RECORDING)

    DARIALIZA AVILA CHEVALIER: Today, we make it clear – the politics of the past ends today.

    (CHEERING)

    KASTENBAUM: Mamdani also stumped heavily for Claire Valdez. She’s a state assembly member. She was declared the winner in Brooklyn’s 7th Congressional District. That seat is being vacated by retiring Representative Nydia Velazquez. the first Puerto Rican woman elected to Congress. She backed another candidate, Antonio Reynoso. Valdez is also with the DSA, the Democratic Socialists of America. The candidates backed by Mamdani were highly critical of Israeli actions in Gaza. That includes former New York City comptroller Brad Lander. He’s a close friend of the mayor, and he had a big win over incumbent Congressman Dan Goldman. All of these districts are heavily Democratic, so all three will likely go on to D.C.

    MARTIN: OK. Steve, to your point, though, these primaries happen in what are considered safe blue districts in New York City. So how do these wins fit into the broader aim of the Democratic effort to retake the House in November?

    KASTENBAUM: Well, Mayor Mamdani and his followers are arguing that this energizes young voters, and they think it could help with voter turnout in the fall. They think that their anti-corruption, anti-billionaire, pro-affordability message resonates with a broad range of Americans, centrist Democrats – they have their concerns. They need to flip seats in swing districts to win over moderate Republicans to do that, and they worry that the move further to the left could hurt that effort. The Republican Party could use socialist wins to argue that Dems moving the country too far to the left.

    MARTIN: Real quick, Steve. There’s a toss-up race left in the New York suburbs. Democrats hoped to flip a seat held by Republican Representative Mike Lawler. How’d that turn out?

    KASTENBAUM: Well, Cait Conley, an army combat vet and a former member of the Biden administration, won that race – beat her close opponent by a wide margin. Democrats expected to pour a lot of money into that race to defeat Lawler. He’s trying to distance himself from President Trump, but the president campaigned for him at a rally in his district.

    MARTIN: That is reporter Steve Kastenbaum in New York. Steve, thank you.

    KASTENBAUM: My pleasure.

    (SOUNDBITE OF MUSIC)

    MARTIN: And that’s UP FIRST for Wednesday, June 24. I’m Michel Martin.

    MARTÍNEZ: And I’m A Martínez. Today’s episode of UP FIRST was edited by Jason Breslow, Kara Platoni, Padma Rama, Mohamad ElBardicy and Olivia Hampton. It was produced by Ziad Buchh and Nia Dumas. Our director is Christopher Thomas. We get engineering support from Neisha Heinis. Our technical director is Carleigh Strange, and our supervising producer is Reena Advani. Join us again tomorrow.

    (SOUNDBITE OF MUSIC)

  • Working hard as ever, Wendell Pierce aims for an annual trifecta: TV, film and theater

    Working hard as ever, Wendell Pierce aims for an annual trifecta: TV, film and theater

    Wendell Pierce says there’s a joke actors have about the five stages of their careers:

    “There’s ‘Who is Wendell Pierce?’ ‘Get me Wendell Pierce.’ ‘Get me someone like Wendell Pierce.’ ‘Get me a younger Wendell Pierce.’ And then the last and final and fifth stage is: ‘Who is Wendell Pierce?’” he says.

    After starring roles on The Wire and Treme, and a 2023 Tony Award nomination as the first Black actor to play Willy Loman in the Broadway revival of Death of a Salesman, Pierce is working as hard as ever. He says he’s motivated by the “ticking clock of mortality” — but also by the desire to challenge himself as an actor.

    Though many entertainers shy away from the label “journeyman actor,” Pierce proudly embraces the term: “It’s not just to go from job to job, but [to] be intentional about the jobs I take,” he says. “I try to do the trifecta, as I call it — television and film and theater — every year.”

    Pierce currently plays a captain on CBS’ Elsbeth and a CIA officer in the film Tom Clancy’s Jack Ryan: Ghost War. He’s also starring in the Shakespeare Theatre Company production of Othello in Washington, D.C.

    Pierce likens tackling Shakespeare to detective work. First, he says, there’s the “mining the text for all of its understanding and everything that Shakespeare is telling you not only about the characters, but how to portray them and what’s happening.”

    More than that, though, there’s also the emotional aspect of connecting with the character — and the physical and vocal strength required of a three-hour production. “The challenge is physical, it’s intellectual, and it’s emotional, and that’s the great thing about doing Shakespeare, and even specifically doing Othello,” Pierce says. “I always think of these … iconic roles and large roles like the beginning of a hike up Mount Everest.”


    Interview highlights

    On how many years ago, jazz helped him crack the code on Shakespeare 

    I went to the club to hear Arthur Blythe, a great alto saxophonist. And he’s pretty avant-garde, but he had this really hip, swinging tune. I was humming along with it. And then he went into his solo, which was free and wild and all over the place. And I was just looking around the club, still humming the song in my head. And when he finished his solo, we were right exactly on the same note in the melody of the song.

    And that’s when I had this epiphany that while he was free and wild and doing his solo, he was aware of the structure of the song, and knew exactly where he was at all times, and came back to it. So he was free within the form, and then I understood that’s what Shakespeare is like: To have freedom within the form, don’t allow the verse to constrict you, but let it be the guard rails of where you’re supposed to be. But you have the opportunity to take it wherever you would like to take it. That’s really what all great art is about, a merger of technical proficiency and expression, and unlimited expression, but being able to be technically proficient and exact. And that opened up Shakespeare to me, that night, in September, 1981, in New York, listening to jazz at the Village Vanguard.

    On why he almost quit The Wire 

    During the course of The Wire, people would challenge us all the time — “You are only demonstrating the thuggery and the crime and you’re perpetuating this idea that, the stereotype that Black folks are criminally inclined and violent and all.”

    I remember a woman on the train challenging me, African American woman who worked on Wall Street. And I said, “I accept your criticism. … I welcome the challenge and the criticism so I can make sure that we don’t fall victim to that criticism. … But we have judges, the mayor, the president of the city council, the city council members, police officers, lawyers, doctors, teachers, who are all African American. But you’re only seeing the criminals. Imagine how tough it is for a little kid in those neighborhoods. They don’t see the lawyers or the doctors. If you don’t see them as an educated woman, a professional, and you can only see the thuggery, imagine how susceptible those young kids are to it. And that’s what we’re trying to tell and the story we’re trying to tell.”

    Now, in the fourth season, I almost quit because at our wrap party a young lady comes up to me. She says, “Mr. Pierce, I was on the show this year. I really wanted to work with you. We didn’t have anything together. I just wanted to tell you how much I enjoy your work and all.” And I said, “Who did you play?” And she says, “I look younger than I am, so I was one of the kids in the middle school.” … She played this out of control young woman who slashes another girl’s face. … She was like, “I’m going to Brown University on full scholarship.”

    And I thought to myself, why are we not telling your story? … And I thought about the criticism and I said, that woman was right. And I said, I should leave the show because we’re perpetuating a stereotype. And then the episode came on for the fourth season and it was so impactful. And we see exactly where we lose our kids. And we see that inflection point where we can save them and put them on the right track. And where we make them the young woman who goes to Brown on a full scholarship, and where we lose them and send them into that pipeline, into the penal system, and calling our dysfunction out in our society that creates the criminality, that doesn’t celebrate the education of this young woman going to school and all. So it wasn’t arbitrary, and then that’s the only thing that made me come back.

    U.S. Attorney General Eric Holder, left, and Wendell Pierce participate in a panel discussion during a Federal Interagency Drug Endangered Children (DEC) Task Force event at the Justice Department May 31, 2011 in Washington, D.C. The event was organized to announce a public awareness campaign, addressing the challenges faced by children and families affected by drug abuse.
    U.S. Attorney General Eric Holder, left, and Wendell Pierce participate in a panel discussion during a Federal Interagency Drug Endangered Children (DEC) Task Force event at the Justice Department May 31, 2011 in Washington, D.C. The event was organized to announce a public awareness campaign, addressing the challenges faced by children and families affected by drug abuse. (Chip Somodevilla | Getty Images)

    On taking care of his late father in his last 10 years 

    He was two months away from his 99th birthday. He passed in my hands, we were holding hands. I was there with him. I had my father for a long time. I got closer to my father in the last 10 years of his life than I ever had before. My mother passed, and one of her dying wishes was, “Wendell, take care of your father.” She knew. While I was working in Budapest, if I got four days off, I would go home to New Orleans, and spend time with him. It was a blessing. I was traveling the world and being an actor and at the same time my home base is New Orleans, and here I would have my father with me for all those years and he was fuel to my fire. He was reminding me of everything that he taught me and as I attack these challenges of these great roles and the different roles that I play, he is very much in my process.

    This is a man who fought in [the Battle of] Saipan in World War II, fought for the country that he loved when this country wasn’t loving him back and came back and his voting rights weren’t even protected and here he was risking his life in The Double V campaign in the Black community — victory abroad and victory at home. So he very much believed in that.

    On the erasure of Black history  

    The idea of trying to eliminate any sort of contributions that the African-American community has made to this country in the year that we try to celebrate 250 — it is so insulting. … It feels like a visceral attack.

    My brother was purged out of his job here in Washington, D.C. I know so many people and so many Black women in particular, this attack on minorities and women in a world where people are trying to erase them, we realize that that is our call to duty of our generation. We know now that we have to mark our passing on the tree and declare who we are, who we were, what our accomplishments are and have been and what we have created. And exercise our right of self-determination and declaration of accomplishment. We owe that to our ancestors, we owe that to the generations yet to come because there are those who do not have our best interest at heart.

    Ann Marie Baldonado and Nico Gonzalez Wisler produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.

    Transcript:

    TONYA MOSLEY, HOST:

    This is FRESH AIR. I’m Tonya Mosley. My guest today, actor Wendell Pierce, is taking on a part he’s wanted to play for years – Shakespeare’s “Othello,” one of the most demanding roles ever written for the stage. The classic is a story of a celebrated military leader who is slowly manipulated into doubting his own wife until jealousy and deception consume him. Pierce is known to many as Detective Bunk Moreland on “The Wire” and Antoine Batiste on HBO’s “Treme.” On Broadway, he became the first Black actor to play Willy Loman in “Death Of A Salesman,” earning a 2023 Tony nomination for the role. His range these days runs just as wide – a police captain on CBS’ “Elsbeth,” a CIA officer in “Jack Ryan: Ghost War” and a villain in “Raising Kanan” on Starz. He plays Othello at the Shakespeare Theatre Company in Washington, D.C., until June 28.

    Wendell Pierce, welcome to FRESH AIR.

    WENDELL PIERCE: Thank you for having me, Tonya.

    MOSLEY: OK. So we are talking just a few hours before you go on stage there in D.C. as Othello. And what is your head like a few hours before you take on this role?

    PIERCE: Oh, it’s really rest and relaxation because I have a couple of hours that I have to prepare for. But I try to relax and warm up and – mind, body and spirit – prepare for the journey. You know, I always think of these roles – you know, these iconic roles and large roles – like the beginning of a hike up Mount Everest. So I’m at Base Camp at this time of the day.

    (LAUGHTER)

    MOSLEY: That’s a good analogy or metaphor – whatever you want to call it – because, I mean, this role, you’ve said, has challenged you like few ever have. What is it about Othello?

    PIERCE: Well, first of all, just the playwright himself, Mr. William Shakespeare, is a great challenge. You know, I try to do the trifecta, as I call it. I do television and film and theater every year – you know, the great trifecta and all of the different mediums. But I think I’m going to expand that to quartet because I would like to do a Shakespeare every year if I can because of, first of all, the detective work, I call it, of mining the text for all of its understanding and everything that Shakespeare was – is telling you not only about the characters, but how to portray them and what’s happening.

    And that’s with – in the verse in the iambic pentameter, but it’s also in the onomatopoeia of the words sounding like what they are, the monosyllabic words denoting a slower pace and the opposite being true – multisyllabic words, a faster pace. That’s just the technical aspect of doing a – the – a classical text like that.

    And then you have the emotional work that you have to do and the connection with the other actors and characters and the love that I have for Desdemona. And actually, the discovery in this role is the love that I have for Iago, which has been key for opening up Othello for me. Normally, he is just seen as the villain and manipulated by Iago. But actually, he is – that is a part of the love story, too. He is – in my interpretation, he is the person that I’ve known and loved and trusted all of my life because I’m orphaned. I am an outsider, and I’m orphaned since a small child. And so you build that up, and then you have to have the physical and then the vocal strength for a three-hour production. So the challenge is physical. It’s intellectual. And it’s emotional.

    MOSLEY: You mentioned a little bit ago that you do a trifecta every year. But is that an intentional thing that you’re making for yourself? This year, I’m going to make sure I’m doing one of these three things. Now the fourth one – making sure that you do a Shakespeare play.

    PIERCE: Yeah. I mean, you know, I’m in the third act of my career, I think, you know, and I’m challenging myself. It’s not just to go from job to job but to be intentional about the jobs I take. And I try to plan out the year that way. I still have to hope that someone hires me to do it, and I have to be good enough to get the auditions and get the offers and all.

    And then also, just as an actor, you want to be as diverse as possible, and I want it. And that’s been the reason I’ve been able to have a 40-year career as a – working in New York and Los Angeles and doing television, doing film, doing theater – as many different places. I’ve produced a play in Uganda. I’ve – in Kampala, Uganda, at the National Theatre there. I try to make it as diverse as possible, and it’s a great challenge. And that’s what the journey is all about.

    MOSLEY: I’m hearing the words you’re saying, Wendell. But I saw all the things that you’re doing right now, and I thought, whoa. I mean, this is, like – these – I – you are – you’re doing more in a year than many people do in five years. It seems like as you get older, you’re almost riding yourself even harder.

    PIERCE: Well, you know, that ticking clock of mortality kind of helps.

    MOSLEY: Yeah.

    (LAUGHTER)

    PIERCE: You want to build a body of work. You want to (laughter) – you know, subconsciously, that probably is a part of it. But also, it’s not all at the same time, you know? Right now “Jack Ryan: Ghost War” is out, but that was last summer and spring when we shot that in Dubai and London. And then “Elsbeth” just ended the season. We do that during the course of a regular television season from September to March. And now – while I’m doing that, I was planning out “Othello” for as soon as we got finished to do the – to come to Washington, D.C., and do “Othello” here. I’m – and then “Raising Kanan” – we had already shot that prior to last year. It’s been in the can for, like, a year.

    So it’s all fortunate that they’re all coming out at the same time. So it seems like I’m doing them at the same time. But I break – but, you know, all these jobs – an actor’s life is in – well, I’ve discovered they’re kind of in quarters of the year, you know? First, second, third, fourth quarter. And that’s how I think of my planning because we work in three-month periods, you know? A play in three months. You know, a full season of television is maybe six months, so – and a film is three months. So you’re constantly planning, and it’s constantly changing. But I’m a journeyman actor. And some people say I shouldn’t say that, but I actually embrace that. That’s something that is a – I wear with pride. I love to call myself a journeyman.

    MOSLEY: Is there a stigma to being a journeyman actor?

    PIERCE: Some people think so. They say, oh, Wendell. You shouldn’t say that, man. You know, you’ve established yourself in the industry as someone significant. You know, I guess people are thinking of some star system or whatever. And I said, you know, I – there’s the joke that we have as actors as – of the five stages of your career. There’s, who is Wendell Pierce? Get me Wendell Pierce. Get me someone like Wendell Pierce.

    MOSLEY: (Laughter).

    PIERCE: Get me a younger Wendell Pierce. And then the last and final and fifth stage is, who is Wendell Pierce? (Laughter) So…

    MOSLEY: (Laughter) So you’re racing against not being, who is Wendell Pierce?

    PIERCE: Is Wendell Pierce, yes.

    MOSLEY: At that stage. Right.

    PIERCE: Yeah. Yes.

    MOSLEY: Do you have a favorite scene from “Othello”?

    PIERCE: Oh, no. I have favorite – oh, there’s too many. It’s so rich. You know, what’s interesting is Desdemona and Othello don’t have any love scenes.

    MOSLEY: They don’t.

    PIERCE: They literally do not have any love scenes. And it’s one of the things that I really love about our production, that in the midst of scenes of strife, of conflict, of war, we find the moments to show our love for each other. But, you know, the first time is, like, they’re going to war. And I have to say, this is why I married her – this is what the intention is. I talk about my love for her. And then I get to war. I say – get to Cyprus. And I realize that she’s there, and I go, oh, thank God. You know, I’ve made it through it.

    But what is normally a rousing speech on the battlefront, I make it into a declaration of love to Desdemona because she’s there and present. And I don’t care what others around me at this time and moment are saying. And, you know, I say, if it were now to die, it were now to be most happy, you know? I cannot speak enough of this content. It stops me here. It is too much of joy. And I’m only talking about her, right? And it’s normally played as, you know, I made it through the battle, and I made it here. And all you guys are here, and I happen to have my wife, too, and it’s a really wonderful thing. We’ve done it. The war is done, you know? And I’m like, no, it’s a love scene.

    MOSLEY: If you’re just joining us, my guest is actor Wendell Pierce. He’s starring as the title character in Shakespeare’s “Othello” at the Shakespeare Theatre Company in Washington, D.C. We’ll continue our conversation after a short break. This is FRESH AIR.

    (SOUNDBITE OF ALLEN TOUSSAINT’S “EGYPTIAN FANTASY”)

    MOSLEY: This is FRESH AIR, and today I am talking with actor Wendell Pierce. You know him from HBO’s “The Wire” and “Treme,” his Tony-nominated turn as Willy Loman in “Death Of A Salesman” on Broadway, and currently as Captain Wagner on the CBS series “Elsbeth.” Right now, he is also onstage in Washington, D.C., playing the title role in Shakespeare’s “Othello.”

    Wendell, I’m noticing a theme in your work. You’re drawn to roles that take you somewhere dark and deep. And, of course, Othello does that. And so did Willy Loman, which you played back in 2022 when you became the first Black actor to play him in “Death Of A Salesman” on Broadway. He is an aging, traveling salesman chasing success. He really wants to be well-liked. How did you find your way into Willy Loman?

    PIERCE: The first man I thought of was my father. My father was – had a great work ethic. He was a man, very simple laborer who had wanderlust, loved to travel. He kind of instilled that in us. He said, you can be whatever you want to be. And he also warned us that there are going to be people who will do everything possible that you won’t succeed. And so it was always there that I started to think of Willy Loman.

    And what is so tragic about Willy Loman is, for men like that, the American dream was still something that was denied them at every step of the way. We achieved part of the American dream, but it was through an extreme difficulty. And that’s what – and that can break people. That can destroy people’s psyche and destroy their heart, destroy their mental facility.

    And I think that’s what happened with Willy Loman, right? Because he was a Black man in America that loved the country, that loved the economic ethos and idea of the American dream. But then that dream was a nightmare for him. He was placed in – his expectations far outlasted and grew far past what was available to him. And out of that desperation, he destroyed himself and he destroyed his family.

    MOSLEY: You know, that’s what’s so powerful about you playing this character. Because I think that the whole premise, the idea of “Death Of A Salesman,” it is something that everyone can sort of connect to, especially as an American here in America.

    PIERCE: Absolutely.

    MOSLEY: But there’s another layer there when you add on you and your identity as a Black man. It’s like another…

    PIERCE: Yeah, as a Black man in America. I mean, because what happens is, there are people that came to the play that thought we rewrote the play. They said, you can’t change that. A producer actually came to me with great concern, like, wait, you changed – you can’t say. There’s the scene where Willy Loman is caught in an infidelity with a woman in a hotel by his son. It is the moment that broke all of their lives. And I tell her, listen, go into the bathroom, you know, and be quiet. There may be a law against this, right?

    And in our production, I’m having an affair with a white woman. And it’s 1937, I think it was. And we’re in this hotel. And she is, you know, scantily clothed. And there’s a knocking on the door, and I’m thinking it’s someone that can expose our infidelity. And I say, you know, there may be a law against this. And I’m thinking of the laws that were of the time, that if – the literal laws of, you know, you could not marry, you could not be together in an interracial relationship. And then there was the time that so many Black men were lynched because they were caught with a white woman. It’s one of the most dangerous things that can ever happen. It was the time of the Scottsboro Boys. It was the time of – you know, of danger.

    And actually, the producer thought we put it in there, right? And I said, no, that’s in the play because actually, the law at the time was no unmarried couple could be in a hotel together. And that’s the law that they were thinking of, that – in Boston, at this time, you know, it was, you’re not supposed to be in a hotel together unless you’re married. You know, there may be a law against this. And that simple line rang out like something you had never heard before in other productions.

    MOSLEY: It felt different. Right.

    PIERCE: It felt different.

    MOSLEY: Yep. The last time that I spoke with you, we were in the pandemic, and you were spending a lot of time with your dad during that time. It was, like, 2021. And since then, he has passed away. And I just want to offer my condolences, first off.

    PIERCE: Yeah, well, thank you. Thank you. I had my dad for – he was two months away from his 99th birthday. I literally – he passed in my hands, you know? We were holding hands. I was there with him. And so I had my father for a long time, and those last years, I spent – I got closer to my father in the last 10 years of his life than I ever had before. My mother passed, and one of her dying wishes was, Wendell, take care of your father, right? She knew. And, you know, while I was working in Budapest, if I got four days off, I would go home to New Orleans – right? – and spend time with him.

    It was – but it was a blessing. I was traveling the world and being an actor, and at the same time, my home base is New Orleans, and here I would have my father with me for all those years. And he was fuel to my fire, you know? He was reminding me of everything that he taught me. And as I attacked these challenges of these great roles and the different roles that I play, you know, he is very much in my process.

    This is a man who fought in Saipan in World War II, you know, and came back and was not – his voting rights weren’t even protected, and here he was risking his life in the Double V campaign in the Black community – victory abroad and victory at home. So he very much believed in that.

    MOSLEY: There’s a – there’s actually a moving speech that you gave the opening night of “Death Of A Salesman,” where you’re paying tribute to your father, and he was actually in the audience at the time. And I want to play some of it. Let’s listen to a little bit.

    (SOUNDBITE OF ARCHIVED RECORDING)

    PIERCE: When this play was written, a young man came from New Orleans to be a photographer. He decided to go home and raise his three boys in New Orleans, one of which is me.

    UNIDENTIFIED CROWD: (Murmuring).

    PIERCE: He fought for this country and loved it when it didn’t love him back.

    UNIDENTIFIED CROWD: (Murmuring).

    PIERCE: But he gave me the most precious thing ever – love and time.

    (APPLAUSE)

    MOSLEY: That was my guest, Wendell Pierce, on opening night of “Death Of A Salesman.” And at that moment, when you say he gave me time, you hold up a timepiece, and you walk off the stage, and you present it to your dad.

    PIERCE: And that was the timepiece pocket watch from the play that you see Willie Loman receive from his brother. It is – and I presented it to him. And I knew in that moment, it was probably the last time he would ever see me on stage. And I just wanted to honor him.

    MOSLEY: Our guest today is actor Wendell Pierce. We’ll be right back after a short break. I’m Tonya Mosley and this is FRESH AIR.

    (SOUNDBITE OF ALLEN TOUSSAINT’S “JUST A CLOSER WALK WITH THEE”)

    MOSLEY: This is FRESH AIR. I’m Tonya Mosley. And my guest today is actor Wendell Pierce. Over a career spanning four decades, he’s played some of the most memorable characters on television – Detective Bunk Moreland on HBO’s “The Wire,” the trombone player Antoine Batiste in “Treme.” And in 2022, he became the first Black actor to play Willy Loman in “Death Of A Salesman” on Broadway. He’s currently starring as Captain Wagner on the CBS series “Elsbeth,” is back as a CIA officer, James Greer, in “Jack Ryan: Ghost War” and in the final season of “Raising Kanan” on Starz. He’s currently on stage in Washington, D.C., playing the title role in Shakespeare’s “Othello.” It runs through June 28 at the Shakespeare Theatre.

    You know, I’m thinking about how you say that you got into the character Willy Loman by really thinking about the journey of your father. And that story you told in your speech just then for opening night – that was a revelation to you that your father was a young photographer right around the time “Death Of A Salesman” was going out into the world because your dad – for the longest time, you thought he didn’t want this life of a creator for you. He – you thought…

    PIERCE: Oh, yes.

    MOSLEY: …He wanted you to be kind of traditional man – a lawyer or a doctor.

    PIERCE: Absolutely.

    MOSLEY: Something safe.

    PIERCE: He was a – oh, man. I went to a very good school, very great college preparatory school – Ben Franklin. It’s the No. 1 high school in Louisiana. And it – it’s – you know, it’s all these great National Merit scholars and people with scholarships and going to the Ivy Leagues and great careers. And he just – and when I decided early on in the middle of that I wanted to be an actor at 14, going to this other great school, the New Orleans Center for Creative Arts – I had the best of both worlds – oh, he was so adamantly against it. He was like, let your mama take you to all that stuff. I’m not going to do it. But he stuck to his guns. His principle was, you do what you want to do but give 100%.

    And so he was adamantly against it. And – but then my brother made me remember that my father was a photographer. And he said, I want Daddy’s pictures. You know, if anything ever happens, I want Daddy’s pictures. I said, what pictures? And he showed me these pictures from an art exhibit my father had done when he had studied as a photographer.

    And he went to New York. I knew he had gone to New York to study photography because that was a trade back in the day. We didn’t have our phones and Instamatic cameras. You went to a photography studio and got your pictures taken. So the – but – so when the Instamatic camera came out, actually, an entire industry went away because a photographer was like your – like a grocer or a dry cleaner, you know? The family got together. They went to the photography studio, and they took pictures. And that’s what he was expecting to do.

    And that’s what I thought he was training to do when I realized he had an artistic vocation of being a photographer like Roy DeCarava or James Van Der Zee and all of these wonderful photographers when I saw these from his exhibit. So it was a dream deferred for him. So a part of his pushback on my wanting to be an actor was his desire as a father not to see his son go through the hurt and the disappointment that he had gone through. And so that’s why he tried to steer me away from being an actor early on when I was in high school.

    MOSLEY: You went on to study at Juilliard, which you have said is kind of the most terrifying experience of your life. You made it through there – you could make it through anywhere. But you – there’s this other story you tell that you’ve told many times, but what we got to hear it here – your most memorable audition. You had just graduated from Juilliard, and you’re in front of Bob Fosse.

    PIERCE: Oh, wow. Yeah. That audition I consider one of the highlights of my career. And it was for “The Big Deal” on Broadway. And I went in, and I had come up with – they had already started. It was a play about a boxer who is being manipulated by the Mob, and he’s throwing fights. And he takes his life back. He goes, listen. All right. This is it. I’m not going to do this anymore. I’m taking my life back.

    And so he explodes in the middle of – in this one scene. And so I was going in to audition. They had already started rehearsal, and on the break, I was going to go in and do my audition. So as the doors open and they’re coming out for a break, I run into the room, and I said, all right. Listen up, everybody. This is what’s going to happen. I’m taking my life back. And I go into the scene, right? Everybody stops, like, who is this crazy guy? They say, OK. OK. All right. Everybody, go on break.

    Bob Fosse clears the room. He says, OK. Now, do it. The stage manager is fumbling, trying to find the scene. I say, all right, everybody. This is it. I’m taking my life back. He goes, stop, stop, stop. The stage manager was lost. He says – he turns to the pianist, and he goes, Give me an F vamp. Bump, bump. Bump, bump. Bump, bump. Then he says, give me the script. And he says, OK. Start. And I said, all right, everybody. This is how it’s going to go. I’m taking my life back. And he reads the scene with me. No, you aren’t. I’m going to – you’re still going to do what we say. I said, no. It’s going to go this way. Bump, bump.

    And he circles me, and we read the scene together. And at the end, he goes, oh, you’re good. But you’re too young. You’re too young. Oh, man. But I want to work with you. He calls my agent. My agent calls me and says, What did you do today? Bob Fosse called and said he’s going to work with you this year. I said, oh, my God. That’s great. But – you’re too young for this, but he’s going to find something. He’s going to work with you this year. Later that year, I’m in a hotel room, and I see – Bob Fosse’s picture comes up. And they say, ladies and gentlemen, Bob Fosse died today.

    MOSLEY: Ah.

    PIERCE: And I was like, oh, man. I was going to work with him. I was going to work with him. And then I had the epiphany. I did work with him. I did. We did a scene together. It had the music behind it. We read it. It was great. We had an audience of one, but I did work with Bob Fosse. And that’s when I realized an audition is an opportunity to share your work. You’re not asking for a job. You’re saying this is what I would do with this role, this is what this play is about, this is what this film is about. And just go and do the work. It’s opening and closing night, and that’s it. And if something comes out of it, the job itself or whatever, then that’s – then you get to continue to do the work. But that’s my Bob Fosse story.

    MOSLEY: What a confident young man you were.

    PIERCE: Yeah, because…

    MOSLEY: I’m taking my life back.

    PIERCE: Yes.

    (LAUGHTER)

    MOSLEY: If you’re just joining us, my guest is actor Wendell Pierce. He’s starring as the title character in Shakespeare’s “Othello.” We’ll continue our conversation after a short break. This is FRESH AIR.

    (SOUNDBITE OF JON CLEARY SONG, “DYNA-MITE”)

    MOSLEY: This is FRESH AIR, and today I am talking with actor Wendell Pierce. You know him from HBOs “The Wire” and “Treme,” his Tony-nominated turn as Willy Loman in “Death Of A Salesman” on Broadway and currently as Captain Wagner on the CBS series “Elsbeth.” Right now, he is also onstage in Washington, D.C., playing the title role in Shakespeare’s “Othello.”

    You know, Wendell, so many of the men you play are holding onto dignity within systems who don’t fully see them. And it seems to be kind of like the through line that I see with so many of the characters you play. And I want to talk for just a moment about Bunk Moreland from “The Wire.” In a lot of ways, anyone who’s seen the show knows it, but I mean, he was the conscience of the show. He took so much pride in his job, even inside of this department that made it kind of hard.

    And I want to play a scene that comes after a shootout. It’s where one of the women in Omar’s crew has been shot dead in the street. And now Omar, who is played by the late Michael K. Williams, is this fierce kind of stickup man who robs high-end drug dealers. And Bunk is investigating that killing. And he pulls Omar aside to this quiet, deserted spot. And they have this moment that we’re about to play. Let’s listen.

    (SOUNDBITE OF TV SHOW, “THE WIRE”)

    PIERCE: (As Detective Bunk Moreland) I was a few years ahead of you at Edmonson, but I know you remember the neighborhood, how it was. We had some bad boys for real. It wasn’t about guns so much as knowing what to do with your hands. Those boys could really rack. My father had me on the straight. But like any young man, I wanted to be hard, too. So I would turn up at all the house parties where the tough boys hung. Yeah, they knew I wasn’t one of them.

    Them hard cases would come up to me and say go home, schoolboy, you don’t belong here. Didn’t realize at the time what they were doing for me. As rough as that neighborhood could be, we had us a community. No body, no victim that didn’t matter. And now all we got is bodies and predatory [expletive] like you. And out where that girl fell, I saw kids acting like Omar, calling you by name, glorifying your [expletive]. It makes me sick how far we done fell.

    MOSLEY: I just want to listen to the rest of the show right now.

    PIERCE: (Laughter).

    MOSLEY: That was my guest, Wendell Pierce, in “The Wire.” Wendell, is it true that there was actually a turning point during the height of the success of this show when you thought about leaving it?

    PIERCE: Yes, yes. There came a point. Someone – during the course of “The Wire,” people would challenge us all the time. You know, you are only demonstrating the thuggery and the crime. And you’re perpetuating this idea that – the stereotype that Black folks are criminally inclined and violent and all. I remember a woman on the train challenging me, an African American woman who worked on Wall Street.

    And I said, I accept your criticism. We should never lose the ability to be offended, never lose that ability. So I welcome the challenge, and that’s – and the criticism, so I can make sure that we don’t fall victim to that criticism. I said, but we have judges, the mayor, the president of the city council, the city council members, police officers, lawyers, doctors, teachers who are all African American. But you’re only seeing the criminals.

    Imagine how tough it is for a little kid in those neighborhoods. They don’t see the lawyers or the doctors. And if you don’t see them, as an educated woman, a professional, and you can only see the thuggery, imagine how susceptible those young kids are to it. And that’s what we’re trying to tell and the story we’re trying to tell. Now, in the fourth season, I almost quit because…

    MOSLEY: Yeah.

    PIERCE: …At our wrap party, a young lady comes up to me. She says, oh, Mr. Pierce, I was on the show this year. I really wanted to work with you. I didn’t get – we didn’t have anything together. I just wanted to tell you how much I enjoy your work and all. And, you know, this is my only time being on “The Wire.” And I’m going to Brown, I think she was going to, on a full scholarship. And I said, who did you play? And she says, I look younger than I am. So I was one of the kids in the middle school.

    MOSLEY: (Laughter).

    PIERCE: And I said, oh. And then she described the character that she played was this out-of-control young woman who slashes another girl’s face…

    MOSLEY: Oh, I know that episode. Yeah.

    PIERCE: …Over something trivial. And I said, wait a minute, you played that? And she said yes. And I said, and what do you do in life? Wait, where are you going? She was like, I’m going to Brown University on full scholarship. And I thought to myself, why are we not telling your story? Why are we not telling your story? And I thought about the criticism, and I said, that woman was right. And I said, I should leave the show ’cause we’re perpetuating a stereotype. And then the episode came on for the fourth season. And it was so impactful. And we see exactly where we lose our kids. And we see that inflection point, where we can save them and put them on the right track, and where we can make them the young woman who goes to Brown on a full scholarship, and where we lose them and send them into that pipeline into the penal system.

    And then I said, OK, it’s not arbitrary. That’s the role we’re playing on “The Wire.” We are the cautionary tale. We are, as Shakespeare said, holding a mirror up to nature and calling our dysfunction out in our society that creates the criminality, that doesn’t celebrate the education of this young woman going to school and all. So it wasn’t arbitrary, and then that’s the only thing that made me come back.

    MOSLEY: Let’s take a short break. If you’re just joining us, my guest is actor Wendell Pierce. He’s starring in the title role of Shakespeare’s “Othello” at the Shakespeare Theater Company in Washington, D.C. We’ll be right back after a break. This is FRESH AIR.

    (SOUNDBITE OF BILL FRISELL’S “MESSIN’ WITH THE KID”)

    MOSLEY: This is FRESH AIR. Today, I’m talking with actor Wendell Pierce. He’s currently on stage in Washington, D.C, playing the title role in Shakespeare’s “Othello.” He’s also known for his roles in HBO’s “The Wire” and “Treme,” his Tony-nominated portrayal as Willie Loman in “Death Of A Salesman” on Broadway and the CBS series “Elsbeth.”

    You know, I think anybody who knows you or even knows just a little bit about you knows that you are from New Orleans. You rep it very hard.

    PIERCE: (Laughter) Yes.

    MOSLEY: And you grew up in Pontchartrain Park…

    PIERCE: Yes.

    MOSLEY: …In New Orleans. It sounds so idyllic. You had a pretty idyllic childhood, it sounds like.

    PIERCE: It was. I called I call Pontchartrain Park the Black Mayberry, you know?

    MOSLEY: (Laughter).

    PIERCE: It grew out of the Civil Rights Movement, when there was so many prohibitions and where Blacks could not participate in the expansion of post-World War II, you know, suburbia. And there was a movement to make sure that Black folks had access to homes and all. And Pontchartrain Park came out of sort of an appeasement. It was separate but equal, adjacent to Gentilly Woods, which was a white neighborhood, where the covenant of Blacks couldn’t move in.

    And they set aside another 200 acres and replicated that neighborhood in Pontchartrain Park. But right in the middle of it, Joseph Bartholomew designed a golf course, a little municipal golf course. And Joseph Bartholomew was an African American landscape architect who designed most of the courses in New Orleans at the time and – but couldn’t play on them. So it was the ying and yang of fighting the ignorance of Jim Crow segregated New Orleans, but at the same time, creating pockets of idyllic communities. And Pontchartrain Park was one of them.

    And lawyers and doctors and teachers and janitors and the glass man – Mr. Wagner (ph) was a glass man. And Mr. Greenwood (ph) was the dry cleaner. So it was economic development, and everybody’s – your mother and father and playground there at Southern University at New Orleans, at a Black historic Black college, right in the neighborhood. So it was really, really idyllic.

    MOSLEY: Yeah. So many memories with you and your mom and your dad. Your mom, who was a school teacher, your siblings. And it was destroyed.

    PIERCE: And she taught two blocks from our home at Coghill Elementary School, where I went to elementary school. And for years, I was just known as Mrs. Pierce’s son because she was so beloved in the neighborhood, and she was a part of a community.

    MOSLEY: What was that like for you? What was that like for you, though, to be a child of a schoolteacher (laughter)?

    PIERCE: Well, it was – all of our teachers lived in the neighborhood, too, so the worst part about it is, you know, I would come home from school or come home from the playground, and my mother’s sitting there with my second grade teacher and my third grade teacher and my fourth grade teacher.

    MOSLEY: (Laughter).

    PIERCE: And – you know, and they’re having their cocktails after work, you know? So every – I – all of my teachers, I would see on a regular basis…

    MOSLEY: You couldn’t get away with anything.

    PIERCE: …Socially with my ma. I couldn’t get away with anything. But it was great, you know? It was great, the community. And it was totally destroyed by Katrina, one of the deepest parts of the flooding. And I knew how it was first built, the civic advocacy that constructed Pontchartrain Park in the Civil Rights Movement, led by A P Tureaud, one of the great civil rights lawyers of New Orleans in my parents’ generation.

    So I put out a clarion call to our generation after Katrina, saying we owe it to them. You know, we owe it to them to rebuild it. And so we have rebuilt it, our neighborhood, brick by brick, block by block, house by house, and Pontchartrain Park is back. I led an effort, and we rebuilt 40 homes. And that’s where I live to this day. I’m still there in Pontchartrain Park.

    MOSLEY: You wrote this book out of that devastation, “The Wind In The Reeds,” in 2015. I mean, it’s a memoir, but it also is this love letter to New Orleans that’s so descriptive about your childhood but then just about the city and the history. And there’s a particular moment. You say, decades from now, little kids will ask, Mr. Pierce, what did you…

    PIERCE: What did you do?

    MOSLEY: …Know about New Orleans’ darkest hour? And you will tell them – and that got me thinking about this quote that I’m kind of obsessed with right now from Bryan Stevenson, where he said that, basically, our ancestors fought for freedom, our parents fought for civil rights and our generation’s struggle is a narrative one, the honest accounting of what actually happened. And reading your book, I just felt echoes of that. I wonder what you – how you feel about that idea because you’re just so intentional in making sure that this story, particularly about New Orleans and Katrina, stays alive.

    PIERCE: It is the most important thing we have right now in our time and our generation. People are actively trying to erase who we are as a people. I am only minutes away from the Pentagon as I speak right now. And I remember my father admiring General Chappie James, Benjamin Chappie James (ph). And to know that they just removed his painting from the Pentagon – and whatever reason they come up with, we all know the reason. It’s just racist, and the idea of trying to eliminate any sort of contributions that the African American community has made to this country in the year that we try to celebrate 250, it is so insulting. It is so aggressively – it feels like a visceral attack.

    My brother was purged out of his job here in Washington, D.C. I know so many people and it’s so many Black women in particular, this attack on minorities and women in a world where we are trying to – where people are trying to erase them. We realize that that is our call to duty of our generation, which is, we know now that we have to mark our passing on the tree and declare who we are, who we were, what our accomplishments are and have been and what we have created and exercise our right of self determination and declaration of accomplishment. We owe that to our ancestors. We owe that to the generations yet to come because there are those who do not have our best interests at heart.

    MOSLEY: Wendell Pierce, this has been such a pleasure. Thank you so much for your time.

    PIERCE: Thank you. I really appreciate it.

    MOSLEY: Wendell Pierce stars in “Othello” at the Shakespeare Theatre Company in Washington, D.C.

    Tomorrow on FRESH AIR, the rise of masculinism. How the movement, which is now mainstream, aims to fight feminism and restore the primacy of men. We speak with Helen Lewis, who writes about the movement in The Atlantic. I hope you can join us.

    To keep up with what’s on the show and get highlights of our interviews, follow us on Instagram – @nprfreshair.

    (SOUNDBITE OF KENNY BURRELL’S “CHITLINS CON CARNE”)

    MOSLEY: FRESH AIR’s executive producer is Sam Briger. Our technical director and engineer is Audrey Bentham. Our interviews and reviews are produced and edited by Phyllis Myers, Ann Marie Baldonado, Lauren Krenzel, Therese Madden, Monique Nazareth, Thea Chaloner, Susan Nyakundi, Anna Bauman and Nico Gonzalez-Wisler. Our digital media producer is Molly Seavy-Nesper. Roberta Shorrock directs the show. With Terry Gross, I’m Tonya Mosley.

    (SOUNDBITE OF KENNY BURRELL’S “CHITLINS CON CARNE”)

  • US Lifts Oil Sanctions On Iran, Trump Shifts To Economy, MN Subpoenas Thrown Out

    Transcript:

    (SOUNDBITE OF MUSIC)

    MICHEL MARTIN, HOST:

    The U.S. has temporarily lifted oil sanctions on Iran for the first time in decades.

    A MARTÍNEZ, HOST:

    It’s one of several incentives to get Iran to comply with U.S. nuclear demands. Vice President Vance says Iran will let inspectors back in, but Iran says it agreed to no such thing.

    MARTIN: I’m Michel Martin. That’s A Martínez, and this is UP FIRST from NPR News.

    (SOUNDBITE OF MUSIC)

    MARTIN: President Trump is heading to Pennsylvania today to talk up the economy. He has promised gas and grocery prices will fall now that the war is ending. But his approval numbers are at record lows, and even some Republicans aren’t convinced.

    MARTÍNEZ: And a federal judge in Minnesota threw out grand jury subpoenas from the Trump administration. The judge said they were used to harass and retaliate against officials who wouldn’t help the president’s immigration crackdown. Stay with us. We’ve got the news you need to start your day.

    (SOUNDBITE OF MUSIC)

    MARTÍNEZ: The United States has lifted oil sanctions on Iran.

    MARTIN: It’s a temporary measure that lets Iran sell its oil in U.S. dollars on the global market. The 60-day sanctions exemption is just one of several economic incentives coming Iran’s way.

    MARTÍNEZ: NPR’s international correspondent Aya Batrawy is in Dubai to explain what all of this means. So OK, these oil sanction waivers were announced by Treasury Secretary Scott Bessent yesterday. What does it mean for Iran?

    AYA BATRAWY, BYLINE: Well, it basically means Iran can sell freely at standard prices just like any other major Gulf oil producer. And this is a pretty stunning turnaround from what was just a weekslong U.S. naval blockade on Iran’s ports. A, for years, Iran had been evading U.S. sanctions through dark fleets. These are ships that would turn off their tracking systems and hide their origin. And then Iran would mostly sell this cargo to state-linked Chinese companies who were motivated to buy from Iran because the oil was sold at a discount outside of the international dollar banking system. But the idea here with these waivers is to incentivize Iran to comply with U.S. demands on its nuclear program during the duration of these talks.

    MARTÍNEZ: So on that note, Vice President JD Vance, who’s leading the negotiations, says Iran has agreed to allow nuclear inspectors into the country. What can you tell us about that?

    BATRAWY: So the current deal with the United States not only lifts oil sanctions on Iran through much of August, but also unlocks billions of Iran’s frozen dollars in overseas accounts in Qatar. And with Vance as the face of these negotiations, he’s been trying to sell this deal as one that’s primarily good for the United States, and he says Iran won’t see anything until its policies change. And I want you to have a listen to what he said in Switzerland yesterday after the first round of high-level talks with Iran.

    (SOUNDBITE OF ARCHIVED RECORDING)

    JD VANCE: The Iranians have agreed to invite IAEA inspectors back into their country. That is a major milestone for the American people and the first step in permanently denuclearizing or permanently ending a nuclear weapons program in Iran.

    BATRAWY: OK. But for context here, the head of the International Atomic Energy Agency that Vance is referring to was in the United Arab Emirates earlier this month. And I was there when Rafael Grossi said inspectors are already in Iran and had visited small labs in places that hadn’t been attacked. But Vance seems to be implying here that they would be able to inspect nuclear sites like Fordo, Isfahan and Natanz, which were damaged in U.S. airstrikes last year. The IAEA says those airstrikes obscured its ability to check on these sites. And the agency says that just days before that war last June, they had been able to verify Iran’s stockpile of highly enriched uranium.

    MARTÍNEZ: All right. So what’s Iran been saying?

    BATRAWY: So Iran says there are no plans for inspections of damaged nuclear sites and that nothing of the sort was discussed in Switzerland. It says Iran’s interactions with the IAEA would continue as usual. And the foreign ministry pointed to a preliminary deal signed with the U.S. that says talks on a final agreement begin after oil sanctions in the U.S. naval blockade have been lifted, which we know has already happened, and after there’s a ceasefire in Lebanon between the Iran-backed Hezbollah and Israel, which has been largely holding since Sunday.

    But crucially, it also says that talks on a final deal come after the U.S. makes, quote, “fully available” Iran’s frozen assets. Those are the billions that are in Qatar right now. And for its part, Iran has to reopen the Strait of Hormuz to commercial shipping and oil tankers. But maritime tracking firms say just a couple dozen ships are transiting a day, so we’re still far below those prewar levels.

    MARTÍNEZ: That’s NPR’s Aya Batrawy in Dubai. Thank you very much.

    BATRAWY: Thanks, A.

    MARTÍNEZ: As his top negotiators look to finalize plans to end the war in Iran, the president is turning the page a bit to the economy.

    MARTIN: He is heading today to Lehigh Valley, Pennsylvania, where he will tour a Mack Trucks manufacturing plant to tout what he sees as his economic gains.

    MARTÍNEZ: NPR White House correspondent Franco Ordoñez will be following the visit. So not a typical domestic trip for President Trump, Franco.

    FRANCO ORDOÑEZ, BYLINE: Yes and no. But, A, I’d largely say no because of the timing of the visit. I mean, this is going to be his first domestic trip since signing an agreement with the Iranians to end their fighting in the Middle East. And as you mentioned, it’s a chance for Trump to turn the page and focus on his domestic agenda. Now, I expect he’ll outline some of the economic gains that he’s been promising would happen once the fighting has stopped. I mean, politically, he also needs this. His approval ratings continue falling to record lows over his handling of the economy. According to NPR’s most recent polling, just 36% of voters say they approve of Trump’s overall job performance, while 59% say they disapprove. And that’s the widest gap Trump has faced during either term in office.

    MARTÍNEZ: And he’s made big promises that gas prices and food prices will start to drop once the war is over. I mean, is that what you expect to hear today?

    ORDOÑEZ: Yeah, to a certain degree. I mean, he’s been very clear when pressed about the high cost of living in America right now that all that would change once the war is over and that the Strait of Hormuz is open again, that gas prices would plummet, and as would other energy prices. And he actually acknowledges thinking about the political and economic consequences if that doesn’t happen.

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    PRESIDENT DONALD TRUMP: I don’t want to be Herbert Hoover. That’s a president I don’t want to be ’cause he, you know, he was in charge during the Great Depression.

    ORDOÑEZ: And yesterday, he boasted that the strait was open and that there was now a, quote, “oil gusher.” So I expect you’ll hear some of that today, but I wouldn’t be surprised at all if he urges folks to also have some patience.

    MARTÍNEZ: More patience, OK. So what do you mean?

    ORDOÑEZ: Well, I mean, obviously, there are a lot of factors that go into this. I mean, it’s a very delicate and uncertain moment. I mean, but even if the strait is reopened, it could take some time – likely months – until U.S. drivers see gas prices fall to pre-conflict levels. I mean, this was a monthslong blockade that severely disrupted energy markets and messed with prices across several sectors. I mean, the disruptions also involved natural gas, feedstock, fertilizer. It affected supply chains. So it could really be months before grocery prices come down.

    MARTÍNEZ: All right. Now, getting back to the politics, especially with the midterms coming up – but how important is it for President Trump to address the economy?

    ORDOÑEZ: I mean, it’s extremely important. I mean, pundits will tell you that voters don’t go to the polls on foreign policy issues, but they will absolutely make their voices heard about inflation and higher prices. I quoted NPR’s polling earlier, and it’s not just Democrats who are concerned about the economy under Trump. Republicans are, as well. I mean, 22% of Republicans say they disapprove of Trump’s handling of the economy. A, that’s a really big number for a president who has long had an iron grip on Republican support. I mean, Republican elected officials, lawmakers have been clamoring for Trump to zero in on the economy for months now, especially with the midterm approaching. They’ve been doing this over and over again, but the Trump administration continues to talk about these issues and foreign policy. I think the real question now is whether it’s going to be soon enough for Trump to make a difference, or is it too late?

    MARTÍNEZ: That’s NPR White House correspondent Franco Ordoñez. Thanks a lot.

    ORDOÑEZ: Thanks, A.

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    MARTIN: In Minnesota, a federal judge threw out grand jury subpoenas from the Trump administration.

    MARTÍNEZ: The judge said the subpoenas were used to harass, coerce, and retaliate against Minnesota officials who did not cooperate with the federal government’s immigration policies.

    MARTIN: Minnesota Public Radio’s Jon Collins is with us now to tell us more about it. Good morning.

    JON COLLINS, BYLINE: Good morning.

    MARTIN: So the federal government issued six subpoenas. What did the government say they were looking for?

    COLLINS: So they were looking for answers from some longtime opponents, including Governor Tim Walz and Attorney General Keith Ellison, as well as the mayors of Minneapolis and St. Paul, and the counties where they’re located. And the subpoenas came down during the height of the ICE surge into Minnesota, and that’s where thousands were arrested and two American citizens were shot to death by federal agents. But essentially, the subpoenas were aimed at getting these Minnesota officials to hand over any information about their response to the federal government’s immigration surge in Minnesota.

    MARTIN: And what did the judge say in throwing them out?

    COLLINS: The judge sided with Minnesota state and city officials who argued that these subpoenas violated their 10th Amendment rights, which says the federal government can’t use its powers to compel or harass local governments into adopting certain federal policies. And that’s exactly what the judge appears to think the Trump administration was trying to do here. And the judge in this case, Patrick Schiltz, noted the context that these subpoenas occurred in. They were issued right as President Trump threatened retribution against the state and at a time when top officials in the Trump administration were also publicly pushing the state to cooperate more closely with federal immigration efforts or to face the consequences.

    MARTIN: And what – did the judge say any more about how he came to this conclusion that the federal government overstepped its authority here?

    COLLINS: The judge said harassing local and state officials is not an appropriate use of grand jury subpoenas. It’s a misuse of a very powerful tool. But Judge Schiltz also said the federal government’s assertion that these incredibly broad subpoenas had any clear purpose in a criminal investigation was absurd. He said none of the federal government’s examples it cited justified the subpoenas. And he said it’s clear that the goal of the subpoenas was instead to coerce Minnesota officials into assisting with the enforcement of federal civil immigration law and to harass and retaliate against them for failing to do so.

    MARTIN: Have the Minnesota authorities responded to do this?

    COLLINS: Governor Tim Walz released a statement saying the decision is a, quote, “victory for the rule of law and our democracy.” And Walz said the use of grand jury subpoenas was just one more example of this federal administration’s lawlessness. Minneapolis Mayor Jacob Frey said it was a vindication of free speech, and he said criticizing the government is not a crime.

    MARTIN: And is the federal government responding? And what – if you know, what could be next here?

    COLLINS: The U.S. Department of Justice sent me a brief statement saying it takes the unlawful obstruction of federal law seriously and that it will continue to investigate. The judge here also took the step of saying he plans to unseal the grand jury testimony that led to these subpoenas, which is typically secret. He’s given the federal government time to challenge it, but he said there’s both a public interest and an interest by local governments in having these grand jury documents unsealed, and that could happen as soon as next month.

    MARTIN: Well, there’s actually some extraordinary developments there. That is Jon Collins of Minnesota Public Radio. Jon, thank you.

    COLLINS: Thank you.

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    MARTÍNEZ: And that’s UP FIRST for Tuesday, June 23. I’m A Martínez.

    MARTIN: And I’m Michel Martin. Today’s episode of UP FIRST was edited by Tina Kraja, Rebekah Metzler, Cheryl Corley, Mohamad ElBardicy and John Stolnis. It was produced by Ziad Buchh and Nia Dumas. Our director is Christopher Thomas. We get engineering support from Stacey Abbott (ph). Our technical director is Carleigh Strange, and our supervising senior producer is Vince Pearson. We hope you’ll join us again tomorrow.

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